Insert Title Here to be launched at Swancon

FableCroft Publishing‘s intriguingly titled new anthology, Insert Title Here, will be launched at Swancon this coming Easter.

Insert Title Here is an unthemed anthology with a swag of dark stories, including work by Joanne Anderton, Robert Hood, Marienne de Pierres, Dan Rabarts, Sara Larner, Matthew Morrison, Thoraiya Dyer and Daniel Simpson.

The launch is penciled in for 10am on Saturday the 4th of April, but keep an eye on the publisher’s or Swancon’s websites for confirmation closer to the event.

ITH Cover

Swancon is Western Australia’s annual speculative fiction convention “that is invested in all kinds of media. You will find panels and discussion about games, film, literature, and graphic novels. If you are interested in science fiction or fantasy of almost any flavour, we will have something for you.”

Swancon 40 runs from 2-6 April, 2015, in Perth, and this year will be celebrating 40 years.

The Doll Collection, ed. Ellen Datlow – review by Mario Guslandi

The Doll Collection, ed. Ellen Datlow

The Doll Collection, ed. Ellen Datlow

The Doll Collection

Edited by Ellen Datlow

Tor Books, 2015

Reviewed by Mario Guslandi

Well known, distinguished American editor Ellen Datlow continues to delight horror fans with juicy anthologies of excellent short fiction featuring either reprints or, as in this case, brand new, original tales.

“The Doll Collection” is a theme anthology assembling seventeen stories where dolls (of any size, type and nature) represent the backbone of the plot. Needless to say the average quality of the material is extremely good, with about 50%of the stories reaching a level of excellence which makes them worth to be included in any forthcoming “Year’s Best”. A challenge for Datlow herself, as the editor of one of the most important and successful “Best Horror of the Year” series.

Then please take note of the following titles and see if my prediction is well founded or not.

“Skin and Bone” by Tim Lebbon is a masterful tale of Arctic horror where the discovery of two doll- like corpses in the snow reveals the hidden truth about the fate of the expedition, while “Heroes and Villains” by Stephen Gallagher is a creepy yarn featuring a too lively ventriloquist’s dummy recalling a past tragedy brought about by a fire.

In the enigmatic tale of witchcraft, “Gaze” by Gemma Files, we get acquainted with a long dead woman with eyes of different colours and in the terrifying “Ambitious Boys Like You” by Richard Kadrey, two young burglars breaking into an old man’s house end up facing a veritable nightmare.

Stephen Graham Jones contributes the offbeat but fascinating and disquieting “Daniel’s Theory About Dolls”, probing the dark secrets of a family where two brothers, living with the constant memory of an unborn little sister, have an unhealthy obsession with dolls.

Genevieve Valentine’s delicious “Visit Lovely Cornwall on the Western Railway Line” depicts with a gentle, exquisite touch the train journey of a girl travelling alone.

Lucy Sussex provides the very enjoyable “Miss Sibyl-Cassandra”, revolving around a fortune-telling doll and her ambiguous but effective previsions.

John Langan exhibits his great storytelling ability in “Homemade Monsters” where childhood memories about the disappearance of a kid during an unusual seismic event are linked to a makeshift but powerful Godzilla figurine.

Other contributors are: Joyce Carol Oates, Pat Cadigan,Seanan McGuire, Carrie Vaughn, Miranda Siemienowicz, Mary Robinette Kowal, Richard Bowes,Veronica Schanoes and Jeffrey Ford.

Needless to add, a highly recommended book.

- review by Mario Guslandi

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From Out of the Dark now available

New_From_Out_Of_The_DarkEditor: Robert N Stephenson
Publisher: Altair Australia Publishing
Published: 9 January 2015
290 pages
Available in two formats: print and ebook (free)

From Out of the Dark is a SF/H anthology set in the gap between galaxies, in the immense darkness of space with all the frightening aspects and contemplation billions of light years of unseeable entities can bring.

A collection of 10 short stories by 10 unique writers, including Tony Shillitoe, Gene Stewart and Gregory L. Norris. Some stories travel the same road, some not so close, some are classic space opera and some are strangely different. But these are not just first encounters. This is not horror added the SF or SF added to horror by slight of hand. These are journeys into places we cannot and will never imagine outside of telescopes and maths.

Edited by Robert N Stephenson (Altair Australia Publishing), an award winning author of novels and non fiction/fiction collections, with over 100 short stories published across the world. As an editor, Robert has edited over 30 full length novels, as well as Altair Magazine for 3 years, and other anthologies in SF and Horror.

Suspended in Dusk – edited by Simon Dewar

Dusk - New CoverSuspended in Dusk
Edited by Simon Dewar

Books of the Dead Press (http://www.booksofthedeadpress.com/)

E-book: ISBN 978-1-3117783-8-3

Suspended in Dusk is the latest anthology from Books of the Dead Press, and the first for Australian editor Simon Dewar. Featuring 19 tales from a mix of new and established authors, and an Introduction from Bram Stoker Award winning Jack Ketchum, Suspended in Dusk hits its mark more often than not.

It’s always nice to have a note or introduction from the editor at the beginning of an anthology; a place where they lay out their thoughts and goals, their targets. Simon Dewar does this quite well. He tells us that the stories are all about change, and the time between those changes, much as dusk is “the time between the light and the dark”. Some of these changes are metaphorical, while others take the theme more literally.

To the stories! I might not mention all of them, only the ones that really stood out for me. This isn’t to say there are any bad stories in the anthology; that certainly is not the case. Any reader of horror will find plenty here to enjoy, and those tales that weren’t quite for me might be exactly what another reader is looking for.

First up is “Shadows of the Lonely Dead” by Alan Baxter. A beautifully written and emotional tale about a hospice worker with a gift for easing the suffering of the elderly as they slip into death, and the greater ramifications that has on her life outside the hospice.

Anna Reith’s “Taming the Stars” takes us to the dark and gritty side of Paris, with a story of a drug deal that goes horribly (and gruesomely) wrong.

“At Dusk They Come” by Armand Rosamilia invites us to a small town at sundown for a well written take on the old tale of ‘doing deals’ with the nefarious.

Rayne Hall brings us “Burning”, a Southern Gothic flavoured tale with a conspicuous absence of the supernatural, but all the more horrifying for it. As in real life, “Burning” shows us that people — especially those isolated by the ignorance of their own world views — are much worse than any monsters we can imagine.

Chris Limb’s “Ministry of Outrage” reveals the truth behind corporate and governmental conspiracies in a tale that is all too scary for its plausibility.

S.G.Larner give us “Shades of Memory”, wherein religion reigns in post-apocalyptic Queensland and the locals of a small town, who want no part of it, have some ghostly superstitions of their own.

“Outside In”, a strange Quantumpunk-Noir by Brett Rex Bruton, is one of the most interesting pieces in the anthology. The story begins: “I swing my feet from beneath the warmth of the covers and down on the cold, hard copy of the opening paragraph.” I stared at that — “hard copy of the opening paragraph” — and wondered if it was some kind of strange typo, an editor comment inserted by accident. But no, it isn’t! It is slips like this, in the walls of reality between story and reader, that really made this story stand out for me. Very original.

“Would To God That We Were There” is the creepy science fiction story I’ve been trying to write for years. I even have 10yr old opening paragraphs that are near identical. I never knew where to take the idea, but it seems that Tom Dullemond did, and he does a wonderful job of it.

The anthology finishes on a high-note too, with Angela Slatter’s “The Way Of All Flesh”. I love a post-apocalyptic story that doesn’t focus on the actual apocalypse, but instead on the people who are trying to get on with their lives. “The Way Of All Flesh” accomplishes this brilliantly, subtly, and in the end, very disturbingly. It’s a fitting end to a collection of so many fine stories.

As I said earlier, I haven’t mentioned every story; only those that really shined for me. A few of the other stories just weren’t too my taste, or I found personally a little predictable. Be that as it may, there isn’t a badly written story here. In every case the prose is well constructed and, in a few stories, quite beautiful.

Overall, Suspended In Dusk is a very good collection. I think there’s something for everyone’s taste — vampires, werewolves, ghosts, zombies and plenty of nefarious humans — and I’m sure others will find things in certain stories that I didn’t. And the mix of authors, old and new, means you’re certain to be introduced to someone you’ve never heard of before: which I think is the most exciting part about reading any horror anthology.

 

Fearful Symmetries, edited by Ellen Datlow – review

31d7b11e4a2d1afb04a2f88b6bc8764c_largeFearful Symmetries

Edited by Ellen Datlow

Chizine Publications

ISBN 978-1-77148-193-9

Ellen Datlow has long been established as one of the premier editors in the horror genre. Her work and awards really speak for themselves. So when she decided to Kickstart an unthemed horror anthology with the backing of Chizine Publications, it’s no surprise that it exceeded its target in short order. The result is one of the best horror anthologies I’ve ever read.

The Table of Contents is a Who’s Who of top notch writers in the genre working today. Twenty short stories are featured and the quality is incredibly high. There’s great variety too, with some stories being all out dark horror and others a more creeping dread or twisted dark fantasy. As with any anthology, not every story will resonate with everyone. For myself, there were two yarns in particular that really didn’t hit the mark, but my taste will differ from others’, so it’s to be expected. The authors in question are very well known and lauded, so not appealing to me is no issue and I’m sure others will love their work.

I won’t review story by story, but I’ll mention the few real stand outs for me. “The Atlas of Hell” by Nathan Ballingrud, an author whose work astounds me every time I read him, was a powerfully visceral story. And it felt like the start of something much bigger. “Mount Chary Galore” by Jeffrey Ford is an amazing twist on the modern fairy tale and incredibly well realised. “Suffer Little Children” by Robert Shearman is a story of almost perfect crafting, with an incredible sense of place. “Bridge of Sighs” by Kaaron Warren is one of the creepiest stories I’ve read in years, with a really horrible cast of characters and a very macabre idea at its heart.”The Worms Crawl In,” by Laird Barron is a story that escalates beyond all expectation very quickly and further cements Barron as a teller of mythic yarns of great proportions. And finally a mention of “Shay Corsham Worsted” by Garth Nix, which was an amazing slice of something much bigger and I’d really love to know more about the monster in that story.

The book is worth the purchase price for those stories alone, in my opinion, but of course that’s not to undermine the general excellence of all the others. I really hope Datlow continues to produce more unthemed anthologies, as she has an eye for curating a dark collection that it utterly compelling. I can’t recommend this book highly enough.

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SNAFU: An Anthology of Military Horror – review

2014_07_11_front_SWSNAFU: An Anthology of Military Horror

Edited by Geoff Brown and A J Spedding

Cohesion Press

The publisher approached me prior to the publication of this volume and asked if I’d consider writing the Foreword for it. I said, sure, send it over and I’ll have a look. After reading the book, I was more than happy to write the Foreword. Here, as a review, I’m reprinting that Foreword.

War is hell.

Nothing puts people closer to their base state than a threat to their life. Nothing reveals their animal nature more than the desire for survival at any cost. People trained for war have to deal with these extremes time after time, surviving for a greater purpose. Or at least, one hopes so. Because survival in a personal fight can be selfish, but survival in war might mean the fate of nations, or even species. And pretty much every permutation of that kind of fight for survival is explored in the stories you’re about to read.

Don’t be fooled into thinking an anthology of military horror is just a book full of Platoon or Aliens knock-offs. In these pages, the variety of story you’ll find is staggering.

Historical and imagined, science-fictional and contemporary. Mythos, the Wild West and Special Forces. Great wars, small wars and the American Civil War. Shapeshifters and ghosts and extraterrestrial parasites. Japanese demons and supernatural special agents. Monsters large and small. Battles fought with raging gunfire and earth-shattering explosions and battles fought cold, with paper trails and subterfuge. Battles won and lost in moments and battles that stretch across aeons.

There’s great variety in story style and length too. From very short stories to novella length yarns with lots of meat ready to be stripped off their bones. This book is a fine achievement and a great example of a theme superbly explored.

You’ll enjoy all the approaches here and the great writing from both established names and emerging talents. But no matter the variety, one thing that doesn’t change from tale to tale is the underlying truth evident in every one. Lives are at risk, great stakes are being played but throughout every page we’re never allowed to forget that regardless of the nature of the enemy, the real horror is war itself.

Alan Baxter, NSW Australia, 2014

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Apocalyptic News

Some bloody end of the world goodness from Permuted Press

Paul Mannering (TANKBREAD, TANKBREAD 2: IMMORTAL) has a new SHTF* apocalypse novel under contract with Permuted Press.

“Dead! Dead! Dead!” is the story of an ageing biker who finds himself on the run with an ER doctor after a shipment of contaminated cocaine turns the city’s junkies into contagious cannibals.

This is Mannering’s fourth novel with Permuted Press, and will be published in 2015.

*SHTF = Shit Hits The Fan – an outbreak scenario, be it alien invasion, deadly flu, civil war – anything that triggers a change in civilisation.

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Martin Livings (CARNIES, LIVING WITH THE DEAD) has just sold his short story “El Caballo Muerte” to Permuted Press’s upcoming Fat Zombie anthology.

Fat Zombie is an anthology of unexpected survivor stories from the apocalypse.

The collection will include stories that tell the tale of the losers, the geeks, the freaks and the sad-sacks. It could also include stories of the differently abled, or anyone lacking skills, physical ability, education, resources so common in many zombie survival stories.

These are the survivor stories of the people you never expected to survive the end of the world.

Coming soon from Permuted Press.

Permuted Press