‘Last Year, When We Were Young’ by Andrew J McKiernan – review by Greg Chapman

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Last Year, When We Were Young - coverLast Year, When We Were Young
by Andrew J McKiernan

Satalyte Publishing (www.satalyte.com.au)

Paperback: ISBN 978-0-9925095-2-1
E-book: ISBN 978-0-9925095-3-8

Review by Greg Chapman

Andrew J. McKiernan’s collection, Last Year When We Were Young, is proof yet again of the incredible writing talent that can be found in Australia and further still, proof that horror can have a meaningful voice that goes well beyond blood and gore.

Whether it is a story about a secretary taking phone messages from the dead, a group of clowns trying to avoid forced conscription in a travelling circus, or astronauts encountering cosmic monsters in the depths of space, the impossible in McKiernan’s stories never fails to engage because the stories always orbit characters that are quantifiably human.

McKiernan’s deft hand with prose is also addictive, with each turn of phrase sweeping the reader away from reality. Although many of his supernatural tales exude mysterious atmosphere, demonic forces or faith, I think the stories where the uncanny takes a back seat are where he really shines. Here the horror is less inexplicable, but no less haunting. The tales, White Lines, White Crosses, The Memory of Water, Calliope: A Steam Romance, and the title story being prime examples.

Overall, the collection is engrossing, every story leaving the reader with sensations of loss, hope, melancholy, repulsion and joy. It’s not often that a writer can convey such a broad section of emotions, but this is what makes collections so worthwhile – and enjoyable.

I recall reading one of Andrew’s Facebook posts some time ago about how he was finding it a real challenge to select the stories for Last Year, When We Were Young, but I can safely say that he and Satalyte Publishing have put together a wonderful treasury of fiction that is well worth any reader’s time, horror fan or no.

Amazon: http://www.amazon.com/Last-Year-When-Were-Young/dp/0992509521/
Goodreads: http://www.goodreads.com/book/show/22523234-last-year-when-we-were-young

Review by Greg Chapman (http://www.darkscrybe.blogspot.com/)

Warren wins 2013 ACT Writers’ and Publishers’ Fiction Award

Through Splintered Walls, the short story collection by Bram Stoker Award nominated author Kaaron Warren, has won the 2013 ACT Writers’ and Publishers’ Fiction Award.

The 2013 ACT Writers Centre Award winners were announced at the end-of-year Christmas celebrations, held on 12 December at the Bogong Theatre in Gorman House Arts Centre, Braddon.

About Through Splintered Walls (Twelfth Planet Press, 2012):

Country road, city street, mountain, creek.

These are stories inspired by the beauty, the danger, the cruelty, emptiness, loneliness and perfection of the Australian landscape.

Paperback: $18.00 + postage
Ebook: $5.95

‘Every Warren story is a trip with no map.’ – Gemma Files

‘Her fiction shifts across genres smoothly and intelligently, never settling for the easy path… she doesn’t flinch.’ – Andrew Hook

‘As with most of the best horror writing … the power of Warren’s strongest stories comes from the mirror they hold up to our everyday practices and prejudices.’ – Ian McHugh

Shirley Jackson Award winning author Kaaron Warren has lived in Melbourne, Sydney, Canberra and Fiji, She’s sold many short stories, three novels (the multi-award-winning Slights, Walking the Tree and Mistification) and four short story collections. Two of her collections have won the ACT Publishers’ and Writers’ Award for fiction, and her most recent collection, Through Splintered Walls, won a Canberra Critic’s Circle Award for Fiction, two Ditmar Awards, two Australian Shadows Awards, an Aurealis Award and a Shirley Jackson Award. Her stories have appeared in Australia, the US, the UK and elsewhere in Europe, and have been selected for both Ellen Datlow’s and Paula Guran’s Year’s Best Anthologies.

She was shortlisted for a Bram Stoker Award for “All You Can Do is Breathe”, and was Special Guest at the Australian National Science Fiction Convention in Canberra 2013. Kaaron will teach a workshop at next year’s Aradale Creative Writing Retreat in February. You can find her at http://kaaronwarren.wordpress.com/ and she Tweets @KaaronWarren

About the Awards:

The ACT Writers’ and Publishers’ Awards are an Australian literary award presented by the ACT Writers Centre for the best books in the categories of non-fiction, fiction, poetry and children’s literature written in the Canberra region.

The full list of winners and highly commended for 2013 can be found here.