Midnight and Moonshine by Lisa L Hannett and Angela Slatter – review

midnight-and-moonshine-web[2]Midnight and Moonshine by Lisa L Hannett and Angela Slatter

Published by Ticonderoga Publications

ISBN: 9781921857300

Angela Slatter and Lisa L Hannett have become well known for their collaborative short fiction work. Last year they won an Aurealis Award for it. They’ve also won plenty of awards for their individual efforts, including Ditmar, Aurealis and British Fantasy Award wins and World Fantasy Award nominations. So we’ve come to expect good things from these two, especially when they work together. And now they’ve worked together on an entire book – the mosaic novel, Midnight & Moonshine.

A mosaic novel is like a novel by stealth – a collection of individual short stories, each self-contained, yet featuring repeated characters, themes and consequences to make the collection a far greater narrative as a whole. For Midnight & Moonshine, Hannett and Slatter have retold the Norse mythology of Ragnarok, woven in with Faerie lore, in the new world of America.

I won’t give away any particular details. Suffice to say that the central recurring theme is the character of Mymnir, the white raven. And such a brilliant character she is, beautiful and terrible, immortal, powerful and sometimes all too human. To explain the general focus of the book, I’ll use the official blurb:

The gods are dead, but will not be forgotten.

When Mymnir flees the devastation of Ragnarok, she hopes to escape all that bound her to Ásgarðr — a heedless pantheon, a domineering brother, and her neglectful father-master, Óðinn. But the white raven, a being of memory and magic, should know that the past is not so easily left behind. No matter how far she flies, she cannot evade her family…

In planting seeds of the old world in the new, Mymnir becomes queen of a land with as many problems as the one she fled. Her long-lived Fae children ignite and fan feuds that span generations; lives are lost and loves won because of their tampering. Told in thirteen parts, Midnight and Moonshine follows the Beaufort and Laveaux families, part-human, part-Fae, as they battle, thrive and survive in Mymnir’s kingdom.

Midnight and Moonshine is a collection of interconnected tales with links between them as light and strong as spider-silk. From fire giants to whispering halls, disappearing children to evening-wolves, fairy hills to bewitched cypress trees, and talking heads to moonshiners of a special sort, Midnight and Moonshine takes readers on a journey from ninth century Vinland to America’s Deep South in the present day. Hannett and Slatter have created a mosaic novel of moments, story-tiles as strange as witchwood and withywindles.

The stories are told from a variety of differing viewpoints and in a variety of styles, but the powerful combined voice of Hannett and Slatter shines through consistently. These are two writers with a masterful touch for prose that is always enchanting, yet never prosaic. Each story is a complete and fascinating thing in its own right and, naturally, I preferred some more than others. Only one story didn’t really work for me on its own, but it still had important seeds of the greater narrative in it and was far from a bad story. Some of the high points for me were Kveldulfr, a really powerful horror story in its own right and an excellent insight into some of the smaller details of the greater narrative. The Red Wedding was another high point, as was Midnight, both excellent stories with memorable characters. Interestingly, these three stories appear in that order right in the middle of the book, so there’s definitely no slack in the middle of this collection.

Most collections are at their strongest in the beginning and the end, as that’s where editors usually put the strongest tales. With a mosaic like this, there’s a chronology at work that dictates the placing of stories. But this volume is only enhanced by that, as everything is informed by that which came before, adding the depth and scope.

Another favourite of mine is the final story, Seven Sleepers, that ties everything together and has a truly mythic quality, and is perhaps the most epic in scale. It leaves us without a certain amount of closure, yet a strong desire to know more. It’s clear there are more stories to be told about the Beauforts and the Laveaux, the two central families in these tales, and probably about Mymnir too.

This is an almost entirely original collection with only the penultimate story, Prohibition Blues, being previously published. That was included in the Damnation and Dames anthology (also from Ticonderoga Publications) and was, according to the Afterword, the catalyst for this entire book. So we have to thank Ticonderoga and editors, Liz Grzyb and Amanda Pillar, for putting together the Damnation and Dames anthology, which is itself a fantastic book. [Caveat – for purposes of transparency, myself and Felicity Dowker collaborated on a story called Burning, Always Burning which was published in Damnation and Dames.]

Midnight and Moonshine draws deeply on Hannett’s PhD subject, both author’s skill at fairy tales and two of the best existing mythologies (Norse and Fae) to create something with lashings of style. Norse gods and Fae folk, bayou and voodoo, prohibition and giants, epic quests and personal triumphs and tragedies, this collection explores them all and more. A brilliant collection, well worth your time and money. It should also be noted that, as is usually the case with Ticonderoga Publications, this is a beautiful artefact of a book as well, with stellar cover art by Kathleen Jennings, herself the recipient of many awards and nominations for her art. In this age of crappy graphic design and homogenous cover art, it’s a pleasure to see a book that is so exquisitely crafted by its authors and so beautifully presented by its publisher.

There’s no question that this collection has leapt straight onto my Books Of The Year list.


Bloodstones ToC announced

Ticonderoga Publications has teamed up with award-winning editor, Amanda Pillar, to produce an anthology of myth inspired dark urban fantasy called Bloodstones.  The anthology is loaded with seventeen fantastic tales of monsters, gods, magic and so much more.

Bloodstones will be published in October 2012, in time for Halloween, and will be available in trade paperback and ebook formats.

Ticonderoga today released the full Table of Contents. The 17 stories are:

  • Joanne Anderton, “Sanaa’s Army”
  • Alan Baxter, “Cephalopoda Obsessia”
  • Jenny Blackford, “A Moveable Feast”
  • Vivian Caethe, “Skin”
  • MD Curelas, “Smoke Gets In Your Eyes”
  • Thoraiya Dyer, “Surviving Film”
  • Dirk Flinthart, “The Bull in Winter”
  • Stephanie Gunn, “The Skin of the World”
  • Richard Harland, “A Mother’s Love”
  • Pete Kempshall, “Dead Inside”
  • Penny Love, “A Small Bad Thing”
  • Karen Maric, “Embracing the Invisible”
  • Christine Morgan, “Ferreau’s Curse”
  • Nicole Murphy, “Euryale”
  • Jessica Otis, “And the Dead Shall be Raised Incorruptible”
  • Dan Rabarts, “The Bone Plate”
  • Erin Underwood, “The Foam Born”


Bread & Circuses by Felicity Dowker – review by Greg Chapman

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Bread and Circuses by Felicity Dowker.

Ticonderoga Publications June 2012, ISBN 978-1-921857-08-9 (Paperback)

I’ve always maintained that horror is one of the most powerful emotions us human beings can experience, but when combined with love, hate and revenge, as is the case with many of the tales in Felicity Dowker’s collection Bread & Circuses, horror can also reveal our souls.

Bread & Circuses is rich with themes, motifs and mythology and of course Dowker’s lyrical prose. Having only ever read one of her short stories before (and I won’t be making that mistake again), I went into the collection completely blind – and I’m glad I did because the journey is one I won’t forget anytime soon.

One of the major themes in Dowker’s collection – and she freely admits this fact many times after each tale – is revenge. The characters in her stories are either seeking it or succumbing to it, sometimes in very real or fantastical situations. But I think underneath all the revenge there is an equally strong element of love too.

The title story “Bread & Circuses”, is a zombie tale about two women forced to live in a cemetery commune. To survive, members of the commune are rounded up to take on the zombies in a battle royale. Inevitably this couple is torn apart by a wave of violence and the reader can’t help but feel their pain, but love wins out in the end, in a gruesome, yet touching way.

“Jesse’s Gift” is another tale with love and friendship at its core. Girl meets boy; boy and girl meet demonic ice-cream man. Again there’s a finely-tuned interplay between dark and light, love and despair and Dowker uses horror to expose all our other traits with incredible skill. In fact her willingness to talk about her past in each of the afterwords only serves to heighten the impact intended with each story.

Dowker also reveals a lot about herself in her stories and even uses her own personal memories as inspiration. There are several tales revolving around a child that has either been subjected to physical violence or witnessed it. Dowker describes it with considerable courage and heart and still manages to craft unforgettable stories with “Us, After the House Came Back”, being one of the stand outs.

The power of Dowker’s writing shines in “Berries and Incense”, a wonderful dark fantasy piece which flows like a slow-burning hallucination. Animals associated with the dark arts are given human qualities and we see that they too can fall in love, suffer and die.

Other favourites were the deliciously dark “Phantasy Moste Grotesk” and its companion tale “The Blind Man”. Both tales would make the likes of Clive Barker proud and again the themes of revenge, love and their dark sides are on display.

I could say much more, but Bread & Circuses speaks for itself. Dowker was named Best New Talent at the 2009 Ditmar Awards and rightly so. She has a striking imagination and is not afraid to exploit human emotions through horror. Put simply, we need more writers like her.

Do yourself a favour and get a copy of Bread & Circuses now.

- review by Greg Chapman