Category Archives: Collection

The Beautiful Thing That Awaits Us All by Laird Barron, review

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barronThe Beautiful Thing That Awaits Us All by Laird Barron
Publisher: Night Shade Books (September 3, 2013)
ISBN-13: 978-1597804677

Laird Barron is well-established now as one of the premier horror writers working today. He’s recognised as leading the new breed of cosmic horror writers, taking his cues from Lovecraft’s mythos, but Barron’s work stands very well on its own. He’s almost developing his own mythos and this third collection is further cementing that position.

Each story in this latest collection is connected to one degree or another, but each stands alone well. There’s room in Barron’s stories – space to breathe and feel the world we’re in while reading. Not all of the stories worked for me. One or two were even too roomy and slow. One yarn in particular, the last story, was far too self-indulgent for my taste. That story, More Dark, is a tale of drunken horror writers going to see a reading by the new big thing in horror and the associated surrealism of the man’s ability. It would have worked, perhaps, if it didn’t try to be so clever. The self-reference was one thing, but the supporting cast was drawn from writers and editors real writers and editors in the field would know. Characters like horror editor Ellen D and fantasy magazine editor GVG. As a writer, I found it trite and I wonder if readers not in on the joke would feel lost. Of course, that also raises the question of who beyond the writers and editors of short horror fiction actually read it? But that story was the only real low point for me. The high points are very high and more than make up for it.

The Redfield Girls, for example, is an excellent character-driven story and a truly subtle horror. You can feel how cold the lake is while reading. The Carrion Gods in Their Heaven is a brilliant piece of work and not quite like anything I’ve read before. By far the best story in the collection for me was The Men from Porlock, a fantastic effort in terms of historical accuracy and colloquial realism while being a perfect example of Barron taking old Mythos ideas and making them totally his own. The book is worth it for this story alone, but there are plenty of others worth your time.

Barron is a writer you need to read if you’re a fan of horror and this book is highly recommended.

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McDermott’s Caution: Contains Small Parts now available

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Twelfth Planet Press has just released the ebook version of Caution: Contains Small Parts, an intimate, unsettling collection from award-winning author Kirstyn McDermott.

A creepy wooden dog that refuses to play dead.
A gifted crisis counsellor and the mysterious, melancholy girl she cannot seem to reach.
A once-successful fantasy author whose life has become a horror story – now with added unicorns.
An isolated woman whose obsession with sex dolls takes a harrowing, unexpected turn.

Four stories that will haunt you long after their final pages are turned.

Available now from Twelfth Planet Press for $5.95. Print copies can be purchased here.

‘Kirstyn McDermott’s prose is darkly magical, insidious and insistent. Once her words get under your skin, they are there to stay.’ – Angela Slatter, British Fantasy Award-winning author of Sourdough and Other Stories

‘The supernatural lurks in the shadows of Kirstyn McDermott’s first collection, an ambiguous or mundane presence that keeps these four quasi-horror stories feeling palpably real … McDermott’s poignant stories defy genre labelling, being primarily about damaged people seeking solace, escape, or meaning. The otherworldly merely gives them a chance to find it, and makes these unflinching but touching stories even more evocative and irresistible.’ – Aurealis, Issue 64

Warren wins 2013 ACT Writers’ and Publishers’ Fiction Award

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Through Splintered Walls, the short story collection by Bram Stoker Award nominated author Kaaron Warren, has won the 2013 ACT Writers’ and Publishers’ Fiction Award.

The 2013 ACT Writers Centre Award winners were announced at the end-of-year Christmas celebrations, held on 12 December at the Bogong Theatre in Gorman House Arts Centre, Braddon.

About Through Splintered Walls (Twelfth Planet Press, 2012):

Country road, city street, mountain, creek.

These are stories inspired by the beauty, the danger, the cruelty, emptiness, loneliness and perfection of the Australian landscape.

Paperback: $18.00 + postage
Ebook: $5.95

‘Every Warren story is a trip with no map.’ – Gemma Files

‘Her fiction shifts across genres smoothly and intelligently, never settling for the easy path… she doesn’t flinch.’ – Andrew Hook

‘As with most of the best horror writing … the power of Warren’s strongest stories comes from the mirror they hold up to our everyday practices and prejudices.’ – Ian McHugh

Shirley Jackson Award winning author Kaaron Warren has lived in Melbourne, Sydney, Canberra and Fiji, She’s sold many short stories, three novels (the multi-award-winning Slights, Walking the Tree and Mistification) and four short story collections. Two of her collections have won the ACT Publishers’ and Writers’ Award for fiction, and her most recent collection, Through Splintered Walls, won a Canberra Critic’s Circle Award for Fiction, two Ditmar Awards, two Australian Shadows Awards, an Aurealis Award and a Shirley Jackson Award. Her stories have appeared in Australia, the US, the UK and elsewhere in Europe, and have been selected for both Ellen Datlow’s and Paula Guran’s Year’s Best Anthologies.

She was shortlisted for a Bram Stoker Award for “All You Can Do is Breathe”, and was Special Guest at the Australian National Science Fiction Convention in Canberra 2013. Kaaron will teach a workshop at next year’s Aradale Creative Writing Retreat in February. You can find her at http://kaaronwarren.wordpress.com/ and she Tweets @KaaronWarren

About the Awards:

The ACT Writers’ and Publishers’ Awards are an Australian literary award presented by the ACT Writers Centre for the best books in the categories of non-fiction, fiction, poetry and children’s literature written in the Canberra region.

The full list of winners and highly commended for 2013 can be found here.

Andrew McKiernan Signs Two-Book Deal

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Australian writer and illustrator Andrew McKiernan has just signed a two book deal with Satalyte Publishing.

The first is for a collection of his short stories, “A Prayer for Lazarus & Other Strange Offerings” (14 published stories + 2 new stories), which will appear in print and e-book in the second half of 2014.

The second deal is for his crime novel “A Quiet Place”, which he sold on the strength of
the first 8,000 words and will be appearing in print and e-book in early 2015.

Stay tuned for further updates as the publication dates approached.

Andrew J McKiernan is an author and illustrator living and working on the Central Coast of New South Wales. His stories have appeared in magazines such as Aurealis, Midnight Echo and the Eclecticism e-zine, as well as the anthologies In Bad Dreams 2, Masques, Scenes from the Second Storey, Macabre: A Journey Through Australia’s Darkest Fears, and Year’s Best Australian Fantasy & Horror 2010. He has twice (2009 & 2010) been shortlisted for both Aurealis and Australian Shadows Awards, as well as a Ditmar Award shortlisting in 2010. His story “The Desert Song” from the Scenes from the Second Storey anthology received an Honorable Mention in Ellen Datlow’s Best Horror of the Year Vol.3. Andrew’s illustrations have appeared on many book and magazine covers, as well as featuring in the collections Shards: Short Sharp Tales by Shane Jiraiya Cummings from Brimstone Press and Savage Menace & Other Poems of Horror by Richard Tierney from P’rea Press.

Satalyte Publishing is an Australian publishing house of Australian authors for a global market. Their mission is to put Australian authors back on the world map of reading, and they will be offering the best of Australian authors in a variety of genres.

Satalyte Publishing

Don’t Let Us Lose Another Bookshop

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Some grim news came out today regarding Notions Unlimited Bookshop, one of Australia’s favourite bookstores. Owner-operator, all round good guy, and king of all that’s spec-fic, Chuck McKenzie, announced that the bookshop is in very real danger of closing by Christmas or soon after, due to the ever rising costs of running a business.

The following is taken directly from the Notions Unlimited Bookshop‘s website:

Since the day we opened our doors, just 20 months ago, the staff and management of Notions Unlimited Bookshop have worked hard to create something more than just a specialist bookstore, and we feel genuinely proud of much that we’ve achieved during that time, such as:

# Continuing to offer a great range of publications, including the best of Australian small-press, rare and hard-to-get titles, genre classics, and latest new releases.

# Building and maintaining a reputation for friendly and knowledgeable service.

# Keeping our prices reasonable – no mean task in these days of Internet shopping and global economic downturn.

# Becoming accepted as part of the local community, plus creating an ever-growing community of our own, bringing together fans of SF, fantasy, horror, graphic novels, gaming, manga, esoteric interests and more – something we’re especially proud of, and that we hope to continue doing for a long time to come.

In order for us to reach that last goal, however, we really do need the assistance of our customers, general supporters, and Facebook subscribers at this time.

Currently, Notions Unlimited Bookshop is looking at the very real possibility of closure – if not by Christmas, then perhaps just afterwards – with the chief cause being the ever-rising cost of running the business. It’s not definite at this point, but the writing is on the wall, and this appeal is an attempt to reverse matters before it’s too late.

Our aim, therefore, is not just to increase our daily sales, but to substantially increase the number of potential customers. Previously, we have tried to boost customer numbers through signage, social media and print advertising – yet almost 80% of our customers tell us they discovered us through referral from friends, family or colleagues.

So this is exactly what we’re asking our friends and customers to do for us now – refer us!

In a nutshell, while we’d love you to pop into our shop over the next few weeks and purchase a book (or two) to help keep us afloat, what we really want you to do is tell other people about us. Jump on Twitter and Facebook, tell your friends, family, workmates, and anybody else you know who loves SF, fantasy, horror, graphic novels, manga, media tie-ins, gaming, esoteric subjects, and other such related genres, to come and check us out in person (and then tell all of their peeps!). We’re not looking for handouts – just introductions to potential customers who may help to keep us in business. And do be sure to mention to everyone you refer us to that this is all in aid of keeping Notions Unlimited Bookshop operating.

Finally, I just want to make it absolutely clear that this is a genuine appeal, not some fake ‘going out of business’ sale or marketing trick. If things don’t improve markedly for us over the next month, we will almost certainly be forced to close our doors forever. No business owner ever wants to admit that a business is failing, but there comes a time when that owner has to either quietly slide towards the inevitable, or step into the spotlight and ask for assistance. So, if you feel you can assist, and will do so, you will have the absolute gratitude of myself and my staff – as well as, hopefully, a future in which we may continue to provide you with the range, service and community you deserve.

In the meantime, a massive and heartfelt ‘thank-you’ to all of our customers, regular and casual, who have supported us already since we opened. We couldn’t have survived thus far without you.

With Thanks,

Chuck McKenzie (Chief Zombologist)
Notions Unlimited Bookshop
facebook.com/pages/Notions-Unlimited-Bookshop/
@notionsun
info@notionsunlimitedbookshop.com

Bookshops are an endangered entity in this day and age, and whenever one closes its doors for good, we are all a little poorer for it. Don’t let this happen to Notions Unlimited Bookshop. Please help in any way you can.

Meanwhile, Down in Australia…

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As we circle our wagons and prepare for an assault on the news coverage of the Aussie horror genre industry, below is a quick update of all that’s been happening here over the past month or so. Sure, it’s a long post, but that only means there’s been a lot going on that hasn’t been covered. So, to ensure this doesn’t happen again, SEND US YOUR DEAD – er, NEWS! We want to hear from you if you have some news to share, or if you’ve heard of a horror-related opportunity or event.

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The Australian Horror Writers Association had their AGM on October 6, and welcomed in a new committee lead by new president Mark Smith-Briggs. They’ve kicked off their reign in a controversial way by placing their showcase magazine, Midnight Echo, on hold while they review its future. However, they have clearly stated that ME is not being shut down, only postponed. Look out for big things from the committee in the coming months.

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More on the AHWA: in October, the AHWA published the Australian Horror Writers Sampler 2013 (Kindle edition only), which provides a taste of the works of seven Australian horror/dark fiction writers (Shane Jiraiya Cummings, David Conyers, David Kernot, Troy Barnes, Matthew Tait, Kim Faulks, and Jay Caselberg), with the talented Greg Chapman designing the cover. The sampler also contains links to the various author’s works, plus interviews and further information on the work. It’s available from Amazon for $0.99.

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Greg Chapman released the novella, ‘The Last Night of October,’ a refreshing Halloween tale published by Bad Moon Books, on October 31, featuring illustrations by the author himself and an introduction by the Queen of Halloween, Lisa Morton. The novella is picking up great reviews and is well worth a read. It’s available as a trade paperback from Bad Moon Books for $15.95 and in digital copy from Amazon for $2.99.

“A soon to be classic of Halloween literature that further cements Greg’s place as one of the greats working in dark literature today (…) Greg has delivered a story that you will want to read again and again as you get ready for our favorite time of the year. Nothing gets me in the mood for the Halloween season more than a good Halloween story, this isn’t a good Halloween story, this is a great Halloween story” –Peter Schowtzer, Literary Mayhem

THE LAST NIGHT OF OCTOBER

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Marty Young’s debut novel, 809 Jacob Street, was also published on October 31 by Black Beacon Books. The monster house calls to them all, but what will they find when they open it’s door?

“Marty Young’s 809 Jacob Street dragged me through the gutter, and had me enthralled with every page. The story explores so thoroughly a nightmare of tortured emotions and madness that it’s hard to believe it isn’t autobiographical. The characters, especially Joey Blue, are that convincing. This is a writer cutting his own way through horror, and I can’t wait to see where his journey takes him. I, for one, will be watching from here on out, because he made me a fan with this book.” Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

809 Jacob Street is available in paperback from Black Beacon Books for $18.95 (includes worldwide postage), and in digital format from Amazon for $3.99. There’s also a gritty blues song performed by David Schembri to go with it.

809 Jacob Street

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Former AHWA President and author of Hammered, Geoff Brown, has started a new publishing venture called Cohesion Press. Their first publication was an ebook reprint collection by the brilliant Kaaron Warren, called ‘The Gate Theory.’ Cohesion is also working on ‘SNAFU: An Anthology of Military Horror’ featuring five of the big names of the genre: Jonathan Maberry, Weston Ochse, James A Moore, Greig Beck, and Joseph Nassise. Apart from these solicited authors, they are open to submissions for the anthology. See the website for more details. Cohesion is accepting pre-orders for the book too, with special limited editions of all formats available.

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Furthermore, Cohesion has also just announced its next title, the novella ‘Ronnie and Rita,’ by Deborah Sheldon. The title will be available soon in all eBook formats.

“Sheldon perfectly portrays the resignation to mediocrity that permeates many of the working/middle class neighbourhoods … and the desperate things they’ll sometimes do to break away.” Addam Duke, Crime Factory Magazine

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David Conyers co-edited (with Brian M. Sammons) the mass market anthology ‘Undead and Unbound: Unexpected Tales from Beyond the Grave’ (Chaosium Inc.) back in August. The anthology features stories by Cody Goodfellow, Gary McMahon, William Mieke, our own David Schembri, and more.

‘Undead & Unbound celebrates those who have returned from the grave — in all their glory and in whatever form they take. You will find the famous blood-drinkers and flesh eaters here, but also ghosts, patched-together reanimates, fiends of myth and folklore, and some not-so-easily-identifiable creatures from beyond the grave.’

The anthology is available from Chaosium Inc. for $17.95 and from Amazon.

Undead & Unbound

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The Canberra Times newspaper published an article in time for Halloween listing ‘ten books guaranteed to scare you witless’. The list, which was compiled with input from Australian horror writers, was dominated by Stephen King (The Shining, It, Pet Sematary, and Salem’s Lot), along with a number of classics (Dracula, The Complete Tales and Poems of Edgar Allan Poe, Frankenstein, The Exorcist, and The Turn of the Screw), and the mind-bending House of Leaves by Mark Z. Danielewski.

Also mentioned in the article were a number of books by AHWA members, including The Pilo Family Circus by Will Elliott, The Dead Path by Stephen M. Irwin, and Living with the Dead by Martin Livings.

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ScaryMinds is back up and running again on a new server after a long hiatus. ‘ScaryMinds is dedicated to exploring home brewed movies and literature from Australia and New Zealand. If you like movies such as Australia or The Year My Voice Broke then you are at the wrong site. If you dig Mad Max, Undead, or Wolf Creek then dive on in like a wild thing. Don’t believe us? Check back regularly as we continue our mission of digging under every rock to discover what’s happening, whose doing what, and what the state of play is in horrorland Down Under.’

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Continuing his brilliant work on exposing long lost and forgotten Australian colonial horror/gothic fiction, James Doig will be releasing the neglected Aussie horror classic, Twisted Clay, written by Frank Walford (first published in 1933). The UK author/editor/publisher, Johnny Mains is bringing it under his Noose & Gibbet imprint, complete with a restoration of the original cover. Twisted Clay is about a teenage, lesbian Jill-the-Ripper. Look for this in late 2013/early 2014, and in the meantime, you can read about this book here, or check out what Doig has to say about it here (spoiler alert!).

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Matthew Tait’s short story collection ‘Ghosts In A Desert World’ has been released for the first time in paperback. Under the auspices of HodgePodge Press, this second edition is revised and expanded, and also includes a previously unpublished novelette called ‘Mutability of the Flesh.’ It is available from Amazon in both print and digital formats.

“The depth is there, the atmosphere is there, making this one of the best examples of this genre I’ve had the pleasure to read. This collection not only shows that the writer has the chops to go places, but that he should be there already.” Daniel I Russell, author of Shadow Award nominated CRITIQUE

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Award-winning NZ writer Paul Mannering has released a revised edition of his novel, Tankbread, through Permuted Press. Tankbread is available from Amazon in print and digital formats.

“Paul Mannering’s TANKBREAD is a guts and glory joyride into very dark territory. Very nasty and lots of fun!” Jonathan Maberry, New York Times bestselling author of DEAD OF NIGHT and DUST & DECAY

Mannering also recently won 1st and 3rd place in SpecFicNZ’s 2013 Halloween drabble writing competition.

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Alan Baxter has just signed a three book deal with HarperVoyager for a new urban grim dark series, to be published between July and December next year. Keep an eye out for more details as this will be a series well worth reading.

Baxter’s new weird western ghost story has also just been published in the Halloween issue of Beneath Ceaseless Skies magazine #133.

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Jason Fischer‘s zombie/post-apocalypse based collection called ‘Everything is a Graveyard’ will be published through Ticonderoga Publications on November 11, 2013. Pre-orders can be made here.

“He flicked the coin onto the table and it spun lazily, resting on tails. An eagle, squatting on a cactus, snake held aloft in its beak. Cinco pesos, the worn script read . . . ” Within these covers, you will find murderous dropbears, zombie kangaroos and undead camels. Poignant endings to the world mash-up with muscle car battles, featuring feral killers that make Mad Max look like the Disney channel. Everything is a Graveyard delves into the fantastic, the horrifying, the sad and the just plain weird.

everything-is-a-graveyard

Jason’s also had some deep thoughts about zombies, the Apollonian-Dionysian dichotomy, and how Romero’s “Land of the Dead” finally makes sense to him.

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Australia’s own Halloween expert, Gillian Polack, was interviewed on the history of Halloween on ABC Sydney (by Dominic Knight). The interview fittingly ran on October 31, but unfortunately isn’t available online. If we find a podcast of the interview, we’ll post it.

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Australian writer/director Stuart Simpson has entered his 3 minute short film called M is for Mutant! into the ABC of Death 2; The Search for the 26th Director competition. The short is available online. Voting ends on November the 14th, with the top 12 entries announced on the 15th.

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Do you run/own a horror-related business based in Australia? If so, let us know and we’ll post in on Horror Net Australia, your one stop online Yellow Pages of all that’s horribly good! It’s THE place to go to be seen.

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And finally, don’t forget to check out Sinister Reads to see all the latest releases by members of the AHWA. It’s the place to go to find your next book.

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Have we missed anything? More than likely. If so, let us know.

Living With the Dead by Martin Livings – Review

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Living With the Dead by Martin Livings
Publisher: Dark Prints Press
ISBN: 978-0-9871976-6-5

There’s a quote attributed to Harlan Ellison about writing which goes: “The trick isn’t becoming a writer. The trick is staying a writer.” If this is taken as true, then Martin Livings has certainly mastered the trick. For twenty years Livings has been publishing horror fiction fairly consistently, and of a quality high enough to have received multiple nominations (and a couple of wins) of nearly every major Australian speculative-fiction award there is. He has published a novel, novellas, and novelettes, but it is in the short story form that Livings is most prolific, and possibly, at his best.

Living With The Dead is Martin Livings’s first published collection of short stories. Brought to us by Dark Prints Press, the book (in its physical form) is a striking and hefty trade paperback with a marvellously evocative monochromatic cover illustration by Vincent Chong. Inside are twenty three stories; a reprint story for each of Mr Livings’s published twenty years, plus three brand new stories. That might seem like a lot of stories for a single-author collection, but this isn’t just a ‘greatest hits’ compilation. Living With the Dead is more a retrospective collection of Livings’ writing career to date. While not presented in publication order, the decision to include so many stories does mean a more variable collection overall. But, considering the high quality of the stories throughout, this matters little, and the inclusion of so many tales does give an interesting (and more complete) overview of Livings’s progression as writer.

Being as there are so many stories, I’ll limit myself to commenting on those I found exceptional and name dropping those that I found merely good. As you’ll see, even that will still cover a great portion of the collection.

Lollo is the lead-story, and as it is a story about an evil clown doll, it is sure to creep out a large portion of the horror reading genre. I’ve never really been bothered by that particular fear — I think clowns much maligned, in fact — but Lollo was written well enough to keep me hooked. Maybe it’s the 80s slasher film feel to the story that lifts it above the typical evil-clown tale? Sort of like a Tarantino mash-up of 80s horror. Whatever it is, Lollo is a great lead in to the collection and certainly sets the tone.

You Ain’t Heard Nothin’ Yet is the first original tale to the collection, and one that tickled both my ‘what if’ and ‘film history’ buttons. The premise? What would a snuff film from the era of Silent Film be like? In typical Livings style, he holds back from the obvious tack of hack-and-slash gore until the last excruciating moment. I’m glad that, after a rough publication history, this story has seen print. It’s a really good one.

Running is a story originally written for Agog Press’s giant monster anthology ‘Daikaiju’. It takes the absurd ‘sport’ of Running With the Bulls and makes it even more absurd. And yet, at the same time, Running is a touching story of how the forces of nature (such as hurricane Katrina) can affect and change our lives. It is often this mix of the absurd with the touching that makes Livings’ work so memorable.

Piggies is a story I missed when it was first published, and a good thing too or I probably would never have written my own The Final Degustation of Doctor Ernest Blenheim. The ideas are so similar, that Piggies acts almost as a prequel. What lifts Piggies far above my own story, is Livings’ ability (like that of his story’s protagonist) to cut things right back to the bone. Piggies is short and sharp and all the more disturbing for it.

In Nomine Patris (see, I’m listing near every story here!) is another short tale. Incest, abortion, cannibalism, religion and all handled sensitively in only 3 1/2 pages. Where many authors would pad out a idea like this, Livings leaves you with only the barest of bones. It is restraint like this that makes Livings well worth reading.

Hooked is possibly the most twisted tale in the book. Not for the gore or surreal twists of Livings’ other works, but for the way it takes our childhood dreams and turns them into something much more horrible and (probably) much more realistic. Here J.M.Barrie’s Peter Pan is given the Livings treatment, with all our favourite characters descending into crime, prostitution and drug addiction. A cautionary tale maybe, for those who find it too hard to give up their childhoods?

Living With the Dead, the title story, is one of the older tales in the collection. Despite the spectre of HIV/AIDS Hysteria having long faded from our media-ruled consciousnesses, it would be too simple to change this tale of social cleansing to a more modern disease or even life-choices and other perceived ‘differences’ (such as sexuality or religion) and for it to still have relevance. Keeping this in mind, Living With the Dead loses none of its impact almost 20 years past its original publication.

Birthday Suit is another story original to the collection, and my favourite of the lot. Others must have thought so too, because Birthday Suit was recently short-listed for just about every Australian spec-fic award and won the Australian Shadow Award for best Horror Short Story. The tale has the feel of Ray Bradbury about it, of normal lives lived and the bittersweet experiences that can bring. I won’t even go into the premise of Birthday Suit, because I want you to discover it for youself. It is so good an idea I can’t believe nobody thought of this before. But, then again, I’m glad it is Martin Livings who was the writer who did think of it as he certainly does the concept justice. Birthday Suit is so wonderful and beautiful and sad, that (even though I’d read it before) it really topped off the collection for me.

A few other stories deserve mention. Down Town, Smiley, Into the Valley and The Last Gig of Jimmy Rucker (written with Talie Helene) are all wonderful too. This isn’t too say that any of the stories in this collection are bad or not worth reading. Some are indeed more mature, more assured, than others but all were deserving of their initial publication and it is a treat to read them all collected here.

Overall, Living With the Dead is a great collection of tales, although a little uneven at times. It shows Martin Livings to be an author who enjoys tugging on his readers’ heartstrings just as much as he enjoys severing them. Twenty years is a long time to have been publishing short stories but, on the strength of Living With the Dead, I’m hoping that in twenty years I’ll be waxing lyrical about Martin Livings’ second retrospective collection.