SNAFU: An Anthology of Military Horror – review

2014_07_11_front_SWSNAFU: An Anthology of Military Horror

Edited by Geoff Brown and A J Spedding

Cohesion Press

The publisher approached me prior to the publication of this volume and asked if I’d consider writing the Foreword for it. I said, sure, send it over and I’ll have a look. After reading the book, I was more than happy to write the Foreword. Here, as a review, I’m reprinting that Foreword.

War is hell.

Nothing puts people closer to their base state than a threat to their life. Nothing reveals their animal nature more than the desire for survival at any cost. People trained for war have to deal with these extremes time after time, surviving for a greater purpose. Or at least, one hopes so. Because survival in a personal fight can be selfish, but survival in war might mean the fate of nations, or even species. And pretty much every permutation of that kind of fight for survival is explored in the stories you’re about to read.

Don’t be fooled into thinking an anthology of military horror is just a book full of Platoon or Aliens knock-offs. In these pages, the variety of story you’ll find is staggering.

Historical and imagined, science-fictional and contemporary. Mythos, the Wild West and Special Forces. Great wars, small wars and the American Civil War. Shapeshifters and ghosts and extraterrestrial parasites. Japanese demons and supernatural special agents. Monsters large and small. Battles fought with raging gunfire and earth-shattering explosions and battles fought cold, with paper trails and subterfuge. Battles won and lost in moments and battles that stretch across aeons.

There’s great variety in story style and length too. From very short stories to novella length yarns with lots of meat ready to be stripped off their bones. This book is a fine achievement and a great example of a theme superbly explored.

You’ll enjoy all the approaches here and the great writing from both established names and emerging talents. But no matter the variety, one thing that doesn’t change from tale to tale is the underlying truth evident in every one. Lives are at risk, great stakes are being played but throughout every page we’re never allowed to forget that regardless of the nature of the enemy, the real horror is war itself.

Alan Baxter, NSW Australia, 2014

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The Bitterwood Bible and Other Recountings By Angela Slatter – review by Mario Guslandi

IMG_0594The Bitterwood Bible and Other Recountings

By Angela Slatter

Tartarus Press 2014, Hardcover, 277 pages

Award-winning Australian author Angela Slatter returns with yet another collection of fantastic stories where she can display once again her fertile and powerful imagination, her extraordinary ability as a storyteller, endowed with an elegant narrative style and a remarkable sensitivity to the mysteries of the universe and the secrets of the human heart.

The present volume, enhanced by a bunch of delightful illustrations by Australian artist Kathleen Jennings, assembles thirteen tales of dark fantasy which will please especially the sophisticated readers fond of well written,stylish fiction.

The gorgeous, British Fantasy Award-winning “The Coffin-Maker’s Daughter” masterfully blends death and lust within the frame of the professional duties of a dismal job.

“The Maiden in the Ice” is an extraordinary, enticing fairy tale for adults, where the hidden secrets of a little village are disclosed after the retrieval of a girl trapped in the ice.

The delicious “The Badger’s Bride” features a girl whose task is to copy a mysterious, ancient book, while the vivid “By My Voice I Shall Be Known” depicts a case of unfaithful love and of a terrible vengeance obtained by means of black magic.

In the atypical vampire story “The Night Stairs” a young girl seeks revenge on a couple of undead but falls victim of an unexpected outcome, while in the fascinating “Terrible as an Army with Banners” we make the acquaintance of a weird sisterhood devoted to save books and knowledge.

Among so many excellent story my favourite,perhaps, is “The Burnt Moon” , a superbly crafted, disturbing story of withcraft,love and fire, a standing example of Slatter’s enormous talent.

Highly recommended.

- review by Mario Guslandi

‘Home and Hearth’ by Angela Slatter – Review

homehearthHome and Hearth
by Angela Slatter

Spectral Press (http://spectralpress.wordpress.com)

This review will be short, because ‘Home and Hearth’ is short. That’s not to say the length in any way diminishes its strength or impact. Instead, the growing sense of dread seems concentrated, distilled to achieve maximum effect.

‘Home and Hearth’, by Angela Slatter, is the 11th title in Spectral Press’s Chapbook series. It concerns a family. A mother and her child and the absent father who has abandonded them. Caroline is a newly-single mum. Her teenage son, Simon, has returned home after being found innocent of a horrible crime, and like all parents Caroline feels a strong need to protect him. It is a base instinct; the knowledge that we’d do anything for our children, no matter what. That our love for them is unconditional. But what happens when that instinct is questioned? When the evidence mounts that our child may no longer be who we think they are?

‘Home and Hearth’ is a story that preys on readers through their empathy. Simon is as distant as any teenager can be, but Caroline’s love and fear are both realistically (and somewhat heartbreakingly) rendered right up until the confrontational end. And, if you’re a parent, that ending will probably hit you hardest of all.

Well paced and beautifully written, Angela Slatter has created a small and unsettling masterpiece with ‘Home and Hearth’. Highly recommended.

‘Last Year, When We Were Young’ by Andrew J McKiernan – review by Greg Chapman

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Last Year, When We Were Young - coverLast Year, When We Were Young
by Andrew J McKiernan

Satalyte Publishing (www.satalyte.com.au)

Paperback: ISBN 978-0-9925095-2-1
E-book: ISBN 978-0-9925095-3-8

Review by Greg Chapman

Andrew J. McKiernan’s collection, Last Year When We Were Young, is proof yet again of the incredible writing talent that can be found in Australia and further still, proof that horror can have a meaningful voice that goes well beyond blood and gore.

Whether it is a story about a secretary taking phone messages from the dead, a group of clowns trying to avoid forced conscription in a travelling circus, or astronauts encountering cosmic monsters in the depths of space, the impossible in McKiernan’s stories never fails to engage because the stories always orbit characters that are quantifiably human.

McKiernan’s deft hand with prose is also addictive, with each turn of phrase sweeping the reader away from reality. Although many of his supernatural tales exude mysterious atmosphere, demonic forces or faith, I think the stories where the uncanny takes a back seat are where he really shines. Here the horror is less inexplicable, but no less haunting. The tales, White Lines, White Crosses, The Memory of Water, Calliope: A Steam Romance, and the title story being prime examples.

Overall, the collection is engrossing, every story leaving the reader with sensations of loss, hope, melancholy, repulsion and joy. It’s not often that a writer can convey such a broad section of emotions, but this is what makes collections so worthwhile – and enjoyable.

I recall reading one of Andrew’s Facebook posts some time ago about how he was finding it a real challenge to select the stories for Last Year, When We Were Young, but I can safely say that he and Satalyte Publishing have put together a wonderful treasury of fiction that is well worth any reader’s time, horror fan or no.

Amazon: http://www.amazon.com/Last-Year-When-Were-Young/dp/0992509521/
Goodreads: http://www.goodreads.com/book/show/22523234-last-year-when-we-were-young

Review by Greg Chapman (http://www.darkscrybe.blogspot.com/)

Perfections by Kirstyn McDermott – review

perfections1Perfections

by Kirstyn McDermott

Published by Twelfth Planet Press

Two sisters. One wish. Unimaginable consequences.

Not all fairy tales are for children.

Perfections is the second novel from Australian writer, Kirstyn McDermott. Originally published electronic-only, it won the Aurealis Award for Best Horror Novel in 2013. Now reissued in print and ebook, it’s entirely worth your time to read it in whatever format you prefer.

It primarily tells the story of a family – two sisters, Antoinette and Jacqueline, and their cold, hard-hearted mother, Sally. It tells a lot more story than this, of course, but it’s one of those books that’s really hard to review without any spoilers. It’s best if every delicious morsel reveals itself as the author intended. Suffice to say that Antoinette discovers a magical ability within herself that greatly complicates everything around her, especially life for her art gallery assistant sister and distant mother.

This book is fantastic in the truest sense of the word, with the darkness of the fantasy beautifully drawn out by McDermott’s lyrical prose. She’s an excellent writer and I think she’s found a voice here far more developed than any of her other work. And the book is dark. It’s a slow and subtle horror, that reveals itself in layers. The first real bombshell hits around the halfway mark after a strong and engaging build-up and the hits keep coming after that. The characters are all beautifully realised, all the moreso for the things we learn about them as the book progresses.

If I have one complaint, it’s that McDermott shies away ever so slightly from the brutality of the end of the story. Events progress to an inevitable climax – at least, one of several potentially inevitable climaxes – yet we see it from a remove and in a kind of shorthand that hadn’t been in effect for the rest of the book, at least not for such key events. Regardless, this is an outstanding book that I can’t recommend highly enough.

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Bound, Alex Caine #1, by Alan Baxter – review by Geoff Brown

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Bound by Alan Baxter

Bound by Alan Baxter

Bound by Alan Baxter

Harper Voyager 2014

review by Geoff Brown

The first Alex Caine book, Bound, is the inaugural mass market urban fantasy release by Alan Baxter through Harper Voyager, the sci-fi/fantasy imprint of Harper Collins. Urban fantasy describes a work that is set primarily in the real world and contains aspects of fantasy. I received a proof copy of this fantastic book well prior to the release date in June, and read it in three sittings. I thoroughly enjoyed the chance to read this.

Bound tells the story of illegal underground fighter Alex Caine, who has certain abilities that seem magical. Alex can see people’s physical intent prior to their actions, allowing him to react in combat in a way almost impossible. Baxter is a highly-skilled martial artist himself, and writes the fight scenes in ways that are both visceral and realistic. I had no trouble visualising the combat within the book as it was happening, something I always judge in any book that features strong combat scenes. Believable yet exciting fighting is very hard to pull off, and Baxter does it well.

As Bound opens, Caine is approached by a man claiming that magic is real, and that Caine himself is a natural user of magic. What starts as a casual and unwanted job reading a magic text turns into an epic journey of discovery and conflict for Caine. Written as a classic Hero’s Journey, Caine at first refuses the call, yet finds himself unable to avoid the tests thrown at him by the antagonist. The revelation of the mysteries that flow throughout Bound are timed perfectly to maintain and escalate the reader’s interest, keeping up a pace that encourages rather than bores or overstimulates. The plot moves along nicely, and ticks all the boxes. The character development is great, and the overall charm of Bound shines through without being lost in the writing itself.

The first part of the book follows Alex as he is introduced to the real magic inherent in the world around him, and then the antagonist is introduced and the real action kicks in. That’s not to say the first part is without action; that’s simply not the case. But after the main foe makes his appearance, the action level kicks up even more than up to that point. Fantastic creatures appear, all hellbent on taking out Alex, and it is up to him and his, at times unwanted, mentor and companion to survive and follow the clues to the climax. By the end, all the subplots are wound up nicely, but I did think the ending came on a little fast once it hit. There is certainly room in the ending and the mythos for further Alex Caine adventures, and the clue that these are forthcoming is the text ‘Alex Cain #1’ that is blindingly obvious on the cover of the Advance Review Copy I was gifted by the publisher. To tell you the truth, I can’t wait to see where this exciting and compelling new series will go from here.

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/category/book_reviews/page/2/photo.htmlGeoff Brown is an Australian writer raised in Melbourne’s gritty Western Suburbs. He writes as GN Braun. He is a trained nurse, and holds a Cert. IV in Professional Writing and Editing, as well as a Dip. Arts (Professional Writing and Editing). He writes fiction across various genres, and is the author of many published short stories. He has had numerous articles published in newspapers, both regional and metropolitan. He is the past president of the Australian Horror Writers Association and past director of the Australian Shadows Awards. He is an editor and columnist for UK site This is Horror, and the guest editor for Midnight Echo #9. His memoir, Hammered, was released in early 2012 by Legumeman Books. He is the owner of Cohesion Editing and Proofreading, and has now opened a publishing house, Cohesion Press.

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Here With The Shadows by Steve Tasnic Tem – review by Mario Guslandi

mid_shadows1Here With The Shadows

by Steve Rasnic Tem

Swan River Press 2014

First Edition Hardcover, 165 pages

A review by Mario Guslandi

Here’s a short story collection by an American writer, published by a small British imprint, reviewed by an Italian reviewer and posted on an Australian website. Globalization has reached the world of dark fiction and this is a good thing because the present volume deserves to be enjoyed by as many readers as possible.

Steve Tem is a very prolific author of  “quiet” horror in its various shades, probing the secrets hidden in the human heart, which is the very source of any real horror. In his work you’ll hardly find monsters, gore and violence; you’ll find the sad, disquieting side of the horrors that affect our daily  life.

This particular collection is devoted to ghost stories, but, again, you won’t find here howling spectres lurking in old castles, but disturbing shadows lingering at the corners of our towns and cities. And most of those shadows are images of a past that still haunt our souls.

Among the fifteen tales assembled in the book, most are really outstanding examples of how good Tem is at his best.

The title story “Here with the Shadows” is a delicate, insightful piece where an old man lives his last days surrounded by a crowd of shadows, the shadows of the dead, while “A House by the Ocean” is a mesmerizing ghost story full of sorrow and despair, featuring two sisters separated for too long.

In the gentle  “G is for Ghost”, the main character is the ghost of a child, while in the subtly unnerving “Telling” the hidden secrets of a haunted house are finally disclosed.

“Back Among the Shy Trees” is an enigmatic, disturbing tale where a man returning to his now abandoned family house discovers some sinister facts about his long forgotten childhood.

“Seeing the Woods”, a story of intense lyricism, portrays an old semi-blind lady living in a cabin in the woods. Here the ghosts are those of her beloved trees burned down during a fire.

The nostalgic, melancholy “Smoke in a Bottle” depicts how the past is a ghost haunting our present and “Est Enim Magnum Chaos” is yet another great story about life and death, loneliness and old age, where people, as in the lyrics of the famous song “Ol’ Man River” are “tired of living but scared of dying”.

All great stuff.

-Review by Mario Guslandi