Exile by Peter M Ball

Apocalypse Ink Productions

Exile is the first novella in what is (I believe) a trilogy, The Flotsam Series. Broadly defined, it’s urban fantasy. But I like to think of it as a whole new subgenre: Gold Coast Demon Noir.

The story follows the return of Keith to the Gold Coast (in Queensland, Australia) from sixteen years of self-imposed exile. It was self-impose exile or die in circumstances that are slowly revealed through the plot. But returning is utter lunacy and Keith knows it. The trouble is, he and his partner, Roark, really messed things up with a cult in Adelaide and returning to the Gold Coast is about the least deadly option left open.

Ball has done a great job of creating a grimy Gold Coast noir setting here and it was great to read something so thoroughly Australian, yet retaining all the great tropes of noir as we know it. Then add in the supernatural elements and it’s a heady brew of worldbuilding. Ball’s description of the Gloom and the creatures from it who inhabit people and live just beneath the fabric of society is expertly handled. The development of the plot and characters shows a writer at the top of his game. He’s also used the novella length really well for structure.

However, it’s not all rainbows – after all, what is? As far as the writing is concerned, the only real complaint I have is that it’s a novella. I know that seems strange after my comment above, but Ball writes really tightly and with great economy of language, which suits the novella well, but this story is left hanging wide open and there are all sorts of things follow up on. It’s not like the next one will be a sequel – rather a continuation. So I wonder why all three weren’t put together as a novel rather than three novellas. But let’s be honest, that’s a pretty weak complaint.

My other concern is with the publisher. The edition I read via the Kindle Store was absolutely riddled with typos, missing words and so on. This is no fault of the author, as the publisher’s job is to find and fix that stuff. So that was rather disappointing. But it’s no reason to avoid this story.

Dark, gritty, funny in places, horrible in others, this is Gold Coast Demon Noir done perfectly. Highly recommended. I’m looking forward to the next one.

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Edited by Geoff Brown and A J Spedding

Cohesion Press

The publisher approached me prior to the publication of this volume and asked if I’d consider writing the Foreword for it. I said, sure, send it over and I’ll have a look. After reading the book, I was more than happy to write the Foreword. Here, as a review, I’m reprinting that Foreword.

War is hell.

Nothing puts people closer to their base state than a threat to their life. Nothing reveals their animal nature more than the desire for survival at any cost. People trained for war have to deal with these extremes time after time, surviving for a greater purpose. Or at least, one hopes so. Because survival in a personal fight can be selfish, but survival in war might mean the fate of nations, or even species. And pretty much every permutation of that kind of fight for survival is explored in the stories you’re about to read.

Don’t be fooled into thinking an anthology of military horror is just a book full of Platoon or Aliens knock-offs. In these pages, the variety of story you’ll find is staggering.

Historical and imagined, science-fictional and contemporary. Mythos, the Wild West and Special Forces. Great wars, small wars and the American Civil War. Shapeshifters and ghosts and extraterrestrial parasites. Japanese demons and supernatural special agents. Monsters large and small. Battles fought with raging gunfire and earth-shattering explosions and battles fought cold, with paper trails and subterfuge. Battles won and lost in moments and battles that stretch across aeons.

There’s great variety in story style and length too. From very short stories to novella length yarns with lots of meat ready to be stripped off their bones. This book is a fine achievement and a great example of a theme superbly explored.

You’ll enjoy all the approaches here and the great writing from both established names and emerging talents. But no matter the variety, one thing that doesn’t change from tale to tale is the underlying truth evident in every one. Lives are at risk, great stakes are being played but throughout every page we’re never allowed to forget that regardless of the nature of the enemy, the real horror is war itself.

Alan Baxter, NSW Australia, 2014

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The following is taken directly from the Notions Unlimited Bookshop‘s website:

Since the day we opened our doors, just 20 months ago, the staff and management of Notions Unlimited Bookshop have worked hard to create something more than just a specialist bookstore, and we feel genuinely proud of much that we’ve achieved during that time, such as:

# Continuing to offer a great range of publications, including the best of Australian small-press, rare and hard-to-get titles, genre classics, and latest new releases.

# Building and maintaining a reputation for friendly and knowledgeable service.

# Keeping our prices reasonable – no mean task in these days of Internet shopping and global economic downturn.

# Becoming accepted as part of the local community, plus creating an ever-growing community of our own, bringing together fans of SF, fantasy, horror, graphic novels, gaming, manga, esoteric interests and more – something we’re especially proud of, and that we hope to continue doing for a long time to come.

In order for us to reach that last goal, however, we really do need the assistance of our customers, general supporters, and Facebook subscribers at this time.

Currently, Notions Unlimited Bookshop is looking at the very real possibility of closure – if not by Christmas, then perhaps just afterwards – with the chief cause being the ever-rising cost of running the business. It’s not definite at this point, but the writing is on the wall, and this appeal is an attempt to reverse matters before it’s too late.

Our aim, therefore, is not just to increase our daily sales, but to substantially increase the number of potential customers. Previously, we have tried to boost customer numbers through signage, social media and print advertising – yet almost 80% of our customers tell us they discovered us through referral from friends, family or colleagues.

So this is exactly what we’re asking our friends and customers to do for us now – refer us!

In a nutshell, while we’d love you to pop into our shop over the next few weeks and purchase a book (or two) to help keep us afloat, what we really want you to do is tell other people about us. Jump on Twitter and Facebook, tell your friends, family, workmates, and anybody else you know who loves SF, fantasy, horror, graphic novels, manga, media tie-ins, gaming, esoteric subjects, and other such related genres, to come and check us out in person (and then tell all of their peeps!). We’re not looking for handouts – just introductions to potential customers who may help to keep us in business. And do be sure to mention to everyone you refer us to that this is all in aid of keeping Notions Unlimited Bookshop operating.

Finally, I just want to make it absolutely clear that this is a genuine appeal, not some fake ‘going out of business’ sale or marketing trick. If things don’t improve markedly for us over the next month, we will almost certainly be forced to close our doors forever. No business owner ever wants to admit that a business is failing, but there comes a time when that owner has to either quietly slide towards the inevitable, or step into the spotlight and ask for assistance. So, if you feel you can assist, and will do so, you will have the absolute gratitude of myself and my staff – as well as, hopefully, a future in which we may continue to provide you with the range, service and community you deserve.

In the meantime, a massive and heartfelt ‘thank-you’ to all of our customers, regular and casual, who have supported us already since we opened. We couldn’t have survived thus far without you.

With Thanks,

Chuck McKenzie (Chief Zombologist)
Notions Unlimited Bookshop
facebook.com/pages/Notions-Unlimited-Bookshop/
@notionsun
info@notionsunlimitedbookshop.com

Bookshops are an endangered entity in this day and age, and whenever one closes its doors for good, we are all a little poorer for it. Don’t let this happen to Notions Unlimited Bookshop. Please help in any way you can.

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The Australian Horror Writers Association had their AGM on October 6, and welcomed in a new committee lead by new president Mark Smith-Briggs. They’ve kicked off their reign in a controversial way by placing their showcase magazine, Midnight Echo, on hold while they review its future. However, they have clearly stated that ME is not being shut down, only postponed. Look out for big things from the committee in the coming months.

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More on the AHWA: in October, the AHWA published the Australian Horror Writers Sampler 2013 (Kindle edition only), which provides a taste of the works of seven Australian horror/dark fiction writers (Shane Jiraiya Cummings, David Conyers, David Kernot, Troy Barnes, Matthew Tait, Kim Faulks, and Jay Caselberg), with the talented Greg Chapman designing the cover. The sampler also contains links to the various author’s works, plus interviews and further information on the work. It’s available from Amazon for $0.99.

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Greg Chapman released the novella, ‘The Last Night of October,’ a refreshing Halloween tale published by Bad Moon Books, on October 31, featuring illustrations by the author himself and an introduction by the Queen of Halloween, Lisa Morton. The novella is picking up great reviews and is well worth a read. It’s available as a trade paperback from Bad Moon Books for $15.95 and in digital copy from Amazon for $2.99.

“A soon to be classic of Halloween literature that further cements Greg’s place as one of the greats working in dark literature today (…) Greg has delivered a story that you will want to read again and again as you get ready for our favorite time of the year. Nothing gets me in the mood for the Halloween season more than a good Halloween story, this isn’t a good Halloween story, this is a great Halloween story” –Peter Schowtzer, Literary Mayhem

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Marty Young’s debut novel, 809 Jacob Street, was also published on October 31 by Black Beacon Books. The monster house calls to them all, but what will they find when they open it’s door?

“Marty Young’s 809 Jacob Street dragged me through the gutter, and had me enthralled with every page. The story explores so thoroughly a nightmare of tortured emotions and madness that it’s hard to believe it isn’t autobiographical. The characters, especially Joey Blue, are that convincing. This is a writer cutting his own way through horror, and I can’t wait to see where his journey takes him. I, for one, will be watching from here on out, because he made me a fan with this book.” Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

809 Jacob Street is available in paperback from Black Beacon Books for $18.95 (includes worldwide postage), and in digital format from Amazon for $3.99. There’s also a gritty blues song performed by David Schembri to go with it.

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Former AHWA President and author of Hammered, Geoff Brown, has started a new publishing venture called Cohesion Press. Their first publication was an ebook reprint collection by the brilliant Kaaron Warren, called ‘The Gate Theory.’ Cohesion is also working on ‘SNAFU: An Anthology of Military Horror’ featuring five of the big names of the genre: Jonathan Maberry, Weston Ochse, James A Moore, Greig Beck, and Joseph Nassise. Apart from these solicited authors, they are open to submissions for the anthology. See the website for more details. Cohesion is accepting pre-orders for the book too, with special limited editions of all formats available.

Furthermore, Cohesion has also just announced its next title, the novella ‘Ronnie and Rita,’ by Deborah Sheldon. The title will be available soon in all eBook formats.

“Sheldon perfectly portrays the resignation to mediocrity that permeates many of the working/middle class neighbourhoods … and the desperate things they’ll sometimes do to break away.” Addam Duke, Crime Factory Magazine

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David Conyers co-edited (with Brian M. Sammons) the mass market anthology ‘Undead and Unbound: Unexpected Tales from Beyond the Grave’ (Chaosium Inc.) back in August. The anthology features stories by Cody Goodfellow, Gary McMahon, William Mieke, our own David Schembri, and more.

‘Undead & Unbound celebrates those who have returned from the grave — in all their glory and in whatever form they take. You will find the famous blood-drinkers and flesh eaters here, but also ghosts, patched-together reanimates, fiends of myth and folklore, and some not-so-easily-identifiable creatures from beyond the grave.’

The anthology is available from Chaosium Inc. for $17.95 and from Amazon.

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The Canberra Times newspaper published an article in time for Halloween listing ‘ten books guaranteed to scare you witless’. The list, which was compiled with input from Australian horror writers, was dominated by Stephen King (The Shining, It, Pet Sematary, and Salem’s Lot), along with a number of classics (Dracula, The Complete Tales and Poems of Edgar Allan Poe, Frankenstein, The Exorcist, and The Turn of the Screw), and the mind-bending House of Leaves by Mark Z. Danielewski.

Also mentioned in the article were a number of books by AHWA members, including The Pilo Family Circus by Will Elliott, The Dead Path by Stephen M. Irwin, and Living with the Dead by Martin Livings.

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ScaryMinds is back up and running again on a new server after a long hiatus. ‘ScaryMinds is dedicated to exploring home brewed movies and literature from Australia and New Zealand. If you like movies such as Australia or The Year My Voice Broke then you are at the wrong site. If you dig Mad Max, Undead, or Wolf Creek then dive on in like a wild thing. Don’t believe us? Check back regularly as we continue our mission of digging under every rock to discover what’s happening, whose doing what, and what the state of play is in horrorland Down Under.’

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Continuing his brilliant work on exposing long lost and forgotten Australian colonial horror/gothic fiction, James Doig will be releasing the neglected Aussie horror classic, Twisted Clay, written by Frank Walford (first published in 1933). The UK author/editor/publisher, Johnny Mains is bringing it under his Noose & Gibbet imprint, complete with a restoration of the original cover. Twisted Clay is about a teenage, lesbian Jill-the-Ripper. Look for this in late 2013/early 2014, and in the meantime, you can read about this book here, or check out what Doig has to say about it here (spoiler alert!).

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Matthew Tait’s short story collection ‘Ghosts In A Desert World’ has been released for the first time in paperback. Under the auspices of HodgePodge Press, this second edition is revised and expanded, and also includes a previously unpublished novelette called ‘Mutability of the Flesh.’ It is available from Amazon in both print and digital formats.

“The depth is there, the atmosphere is there, making this one of the best examples of this genre I’ve had the pleasure to read. This collection not only shows that the writer has the chops to go places, but that he should be there already.” Daniel I Russell, author of Shadow Award nominated CRITIQUE

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Award-winning NZ writer Paul Mannering has released a revised edition of his novel, Tankbread, through Permuted Press. Tankbread is available from Amazon in print and digital formats.

“Paul Mannering’s TANKBREAD is a guts and glory joyride into very dark territory. Very nasty and lots of fun!” Jonathan Maberry, New York Times bestselling author of DEAD OF NIGHT and DUST & DECAY

Mannering also recently won 1st and 3rd place in SpecFicNZ’s 2013 Halloween drabble writing competition.

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Alan Baxter has just signed a three book deal with HarperVoyager for a new urban grim dark series, to be published between July and December next year. Keep an eye out for more details as this will be a series well worth reading.

Baxter’s new weird western ghost story has also just been published in the Halloween issue of Beneath Ceaseless Skies magazine #133.

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Jason Fischer‘s zombie/post-apocalypse based collection called ‘Everything is a Graveyard’ will be published through Ticonderoga Publications on November 11, 2013. Pre-orders can be made here.

“He flicked the coin onto the table and it spun lazily, resting on tails. An eagle, squatting on a cactus, snake held aloft in its beak. Cinco pesos, the worn script read . . . ” Within these covers, you will find murderous dropbears, zombie kangaroos and undead camels. Poignant endings to the world mash-up with muscle car battles, featuring feral killers that make Mad Max look like the Disney channel. Everything is a Graveyard delves into the fantastic, the horrifying, the sad and the just plain weird.

Jason’s also had some deep thoughts about zombies, the Apollonian-Dionysian dichotomy, and how Romero’s “Land of the Dead” finally makes sense to him.

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Australia’s own Halloween expert, Gillian Polack, was interviewed on the history of Halloween on ABC Sydney (by Dominic Knight). The interview fittingly ran on October 31, but unfortunately isn’t available online. If we find a podcast of the interview, we’ll post it.

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Australian writer/director Stuart Simpson has entered his 3 minute short film called M is for Mutant! into the ABC of Death 2; The Search for the 26th Director competition. The short is available online. Voting ends on November the 14th, with the top 12 entries announced on the 15th.

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Do you run/own a horror-related business based in Australia? If so, let us know and we’ll post in on Horror Net Australia, your one stop online Yellow Pages of all that’s horribly good! It’s THE place to go to be seen.

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And finally, don’t forget to check out Sinister Reads to see all the latest releases by members of the AHWA. It’s the place to go to find your next book.

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Have we missed anything? More than likely. If so, let us know.

By Melvin Burgess

Published by Hammer

ISBN: 978-0099576648

You may remember that recently Halinka Orszulok reviewed the first of the new Hammer novellas, The Daylight Gate by Jeanette Winterson. Hunger by Melvin Burgess is another in the same series. It’s a fine artefact of a book, hardcovered and dust-jacketed. From the blurb it sounds intriguing. A shame then, that it’s actually rubbish.

I don’t know Melvin Burgess’s work but he has a good reputation of writing YA fiction where the characters do controversial things like have sex and take drugs. Which is great, because that’s exactly what young people do and I’m glad Burgess tackles those things and it sounds like he does a great job of it. But he does a terrible job of horror.

The book annoyed me from the outset. It starts with a Prologue of about a page and half. Then Chapter 1 follows exactly after the events of the prologue – there’s not even a scene break. Why the hell is that a prologue? It’s the first page and a half of Chapter 1.

So a pointless prologue had me off-side, but it was a cool idea of young Beth waking up covered in dirt with no recollection of where she had been or why she was so grubby. It’s a really cool opening premise in which Burgess really ramps up the tension. The trouble is, it seems like all he really had was that great opening idea and he just phones in the rest of the story from there on.

There is some great writing, but so much of the book is like a first draft. It feels rushed, like Burgess was working to a terrible deadline and all the editors were on holiday. There are several jarring switches of point of view in mid-page, where we jump from one character’s head to another, sometimes mid-paragraph. Then there are dodgy omniscient narrator moments, where the flow is broken by the author jumping in and out with things the characters couldn’t know. This is just simple bad writing. It could all have been tidied up with good editing.

Without giving away too much of the story (though I don’t recommend you read this anyway) Beth’s troubles stem from her connection to a particularly nasty demon and his ghoulish assistants, who come and go through the book. There are some great ideas at work here, but they’re ruined by some ridiculous, almost comical, action scenes. And if they’re not comical, they’re non-sensical. Like the bit where the kids are thoroughly beaten by the demon and his monster – the beast is literally sitting on top of Beth – then they run away for no reason, leaving Beth and her friends to fight on another day.

Then there are moments when mad, slavering beasts are running around and jumping on cars in broad daylight, but luckily no one seems to be around to notice. Seriously, you could be forgiven for thinking that Beth and her friends live in a world where there are no people whatsoever except for themselves and a handful of secondary characters vaguely relevant to the story.

There’s no talk of missed uni classes or explanations of strange absences. For that matter, there’s no real continuation of fear. These kids are literally being hunted by a demon and his various beasts, and they act scared for a moment here and there, then they sit around and have a laugh and a joke with pizza and a movie. At one point they all go out and get pissed just for a laugh. And that in itself leads to another absurd encounter in one of the few scenes where other people are plainly evident, right up until there’s something weird they might spot. Then no one is around. Anywhere. At all.

So, sadly, after a great opening and a really good build of initial tension, utter nonsense ensues for nearly 300 pages.

There’s even a bit towards the end where one big beastie (who has been in the fray since nearly the beginning) is all rabid and deadly in the final scene, then suddenly in the ground and immobilised and we’ve had no mention at all of how he was beaten. None at all.

I really wanted to like this book and it could have been far more interesting if it had been better written and better edited, but by the two thirds mark I was only ploughing through to the end for a sense of closure, and because it’s quite short anyway.

Rubbish.

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Publisher: Dark Prints Press

eISBN: 9780987197641

“Vaudeville” by Greg Chapman is an e-novella published by Dark Prints Press. It’s the story of Anthony Moore, whose father committed suicide by hanging himself from a tree and no one really understands why. He was a great guy, loved by all, and the death is a mystery that has rocked the small town of Keaton and left Anthony and his mother broken and at odds with each other. Anthony’s mother drinks the pain away and Anthony is himself lost and friendless, searching for direction. Every day he goes into the woods, to stand and stare at the tree where his father hanged himself, and wonder why. And then, one day, four strange troubadours emerge from the trees, at once fascinating and frightening, and Anthony’s life takes a dramatic turn. “The All-American Travelling Troubadours” have a dark story to perform – all they need is an audience of four young souls.

The scene-setting, character development and story in this novella start well. We’re introduced to a situation that is both familiar enough to identify with and strange enough to keep us wondering what might be going on. Chapman often uses some choice turns of phrase and carries the story well, but for me there are places where the writing falls a bit flatter and has something of a first draft feel about it.

I was carried along well, however, and wanted to know what was behind the strange events. The Troubadours themselves are truly grim characters, quite nasty and well-conceived. As the story played out it was satisfying in places, but there some parts that left me a little confused. The connections between the Troubadours, Anthony’s father and the Civil War sargeant, for example, didn’t come too clear to me.

There are no great suprises in the story. As it unfolds you can see where it’s heading, but for the most part, Chapman does a good job in the telling. I think the whole thing could have used another one or two editorial passes to tighten it all up, trim some of the extraneous parts and smooth out some of the story. The ending was a bit trite and I really wish the story had stopped before the very final line. But of course, as with all reviewing, so much of this is subject to taste.

This is a straight-up horror story with some great supernatural Vaudevillian villains, and worth a look if that concept floats your boat. I’m also very glad to see publishers like Dark Prints Press embracing e-publication to bring us more novella-length fiction, so let’s see more of that, please!

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Dark Prints Press have begun a new line of eNovellas and if this offering from Martin Livings is anything to go by, it’s a line worth watching. Rope is the story of Freemantle Prison’s hangman and the rope he made as a fifteen year old rope-maker’s apprentice. After fashioning the new hanging rope for the prison, the young apprentice is engaged as the executioner and so begins an unnaturally long life, punctuated by 44 hangings. With every hanging, the rope grows a little darker, as if it’s becoming engorged with the souls of the damned.

The story begins and ends in 1984, narrated by the well-over-100-year-old executioner himself.

But who is more foolish, the fool who kills or the fool who kills a fool?

This short novella, more novelette really, is an excellent piece of historical storytelling. In truth, there’s not much story as such, in the traditional beginning/middle/end formula, with all the ups and downs of action-packed fiction. The strength of this story lies in the detailed and rich exploration of the character of the executioner himself.

He’s, at first, an incredibly unpleasant man. I had a lot of trouble sympathising with any aspect of his character early on in the piece. Livings explores well the nature of culture and time within a person’s make-up. He plumbs the depths of duty and ignorance. As the tale goes on and the protagonist begins to develop more self-awareness, along with a greater awareness of a maturing society, he becomes more likeable and we’re able to associate with him a lot more. I wondered if the executioner would be a despicable character throughout, but found myself much more attached to him as the story moved along.

I thought I had the end picked early on, then I got thrown a bit of curveball in the closing chapter, only to be proven right after all. Rope is a dark and compelling tale, excellently written, as we would expect from someone with the talent and experience of Martin Livings.

This is well worth a read and I’m looking forward to seeing what else comes out from the Dark Prints novella range.

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Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

The Darkest Shade of Grey
A novella by Alan Baxter

Reviewed by Robert Hood

“Noir” is a term that is somewhat loosely used these days, especially as cross-genre experimentation continues to attack whatever subgenres hold still long enough to get suitably mugged. Naturally, authors cherry-pick individual aspects of the noir form’s “original” manifestation (essentially 1940s and 50s “film noir”) to apply to their own work, thereby blurring the edges of the definition somewhat — the most common ingredients being a tone of dark, urban cynicism and tough-talking PIs (or some other investigative types) vaguely reminiscent of Raymond Chandler’s Marlowe or Dashiell Hammett’s Sam Spade. But however loose the definition might become, there’s no denying the appeal of the shadowy crime-based format. Whether it melds with zombies, ghosts, robots, future dystopias (as in Blade Runner), Batman sweeping through the dark streets of Gotham City or re-worked fairytales, combining fantastical elements with the noir tropes and their air of claustrophobic darkness has proven extremely popular.

Alan Baxter’s novella The Darkest Shade of Grey, serialised on the Red Penny Papers website and now available as an ebook, boasts many of the key elements of noir fiction, adroitly combining them with other tropes – in particular the currently popular stereotype of a troubled protagonist with a psychic “ability”. David Johanssen is a journalist whose life has been rent asunder by his own flirtation with the supernatural, in the form of a Ouija board and an entity by the name of Lamashtu. Lamashtu’s femme fatale presence has tempted him into a mire of obsession, prescient vision and failed relationships, just as the noir hero becomes a victim of his own moral failures and is led astray by a sexy female client or victim. Now, living a despairing existence in a Sydney cityscape filled with demons (mostly of his own making), Johannsen struggles to find a way out, only to slide deeper and deeper into the quagmire. In true noir fashion, only bourbon offers him momentary escape from his self-loathing.

The novella begins with the bloody murder of a young woman in a Kings Cross backstreet – a murder which Johanssen’s intuition tells him is the tip of a Big Story that will put him on a better footing with his increasingly impatient editor – and leads him via a potentially insane hobo and much death to a reality he never expected to find and may not survive. The story has a strong tidal flow that drags the reader through to its imaginative climax. The investigative groundwork of the plot runs smoothly and without overt contrivance, and the revelations of the end don’t disappoint. Like the classics of film noir, which were filmed in black-and-white, Baxter’s noir plot teaches his protagonist that what seems to be black can in fact be merely the darkest shade of grey.

As good pulp fiction should be, Baxter’s story is fast-paced, yet the author maintains a noir atmosphere effectively, not simply via plot maneuvers and archetypal characters, but through snatches of effective description and a dark sensibility that is integrated into the details. He’s not afraid to stop and smell the waste run-off occasionally. If Baxter’s use of language can veer toward bare cliché at times, it is a form of genre-based cliché that mostly feels authentic and you go with it easily. Indeed Baxter gives enough individual distinctiveness to his secondary characters to make us accept them, and though Johannsen himself is a stereotype (the classic noir loner, lost to a dark, and ever-darkening reality), Baxter develops the elements that make up that stereotype into a character who is at least as believable and pitiable as your standard noir hero. Then there’s the City – an important character in noir stories. As a Sydneysider it is fascinating to watch Baxter transform Sydney into a noir hell. Indeed it would have been a bonus to see him develop this element further, if he’d had the space to do so.

In the end, The Darkest Shade of Grey may not be the ultimate example of supernatural noir, but it is certainly a good example, an enjoyable and engaging pulp-inspired read that fulfills the promise of its evocative cover and its effective title, with some ideas that linger in the mind long after the lights go out.

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Robert Hood is a writer of speculative fiction in all its forms, though he veers to the dark side more often than not. He loves noir fiction and mixing-and-matching the genres. Check out some of his collected stories in Creeping in Reptile Flesh (Morrigan Books, 2011). A dark fantasy novel, Fragments of a Broken Land: Valarl Undead, is due out in 2012 from Borgo Press (US). His website can be found at www.roberthood.net and he occasionally posts reviews there and on his blog, Undead Backbrain.

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