Blurb: For three centuries, as the Black Death rampaged through Europe and the Reformation tore the Church apart, tens of thousands were arrested as witches and subjected to torture and execution, including being burned alive. This graphic novel examines the background; the witch hunters’ methods; who profited; the brave few who protested; and how the Enlightenment gradually replaced fear and superstition with reason and science. Famed witch hunters Heinrich Kramer, architect of the infamous Malleus Maleficarum, and Matthew Hopkins, England’s notorious “Witchfinder General”, are covered as are the Salem Witch Trials and the last executions in Europe.

Way back when I had just started High School I discovered, in the library, graphic novel versions of Shakespeare’s Hamlet, Othello and Romeo and Juliet. There were also graphic novels of the life of Genghis Khan and Alexander the Great. They were brilliant. They not only introduced me to wealth of historical figures and to Shakespeare’s genius but they cut through all the hard work of the original texts. They presented art and history in a visual way that made the past exciting and interesting. It is something that stuck with me. It is something that helped pave the way for my own journey to becoming a writer and illustrator.

What has ‘Witch Hunts – A Graphic History of the Burning Times‘ to do with this?

Well, I think they’re much the same. On opening ‘Witch Hunts…‘ for the first time, I was struck with a wave of nostalgia. Like I was that little kid in the school library, just now pulling down one more book after all these years. Within a couple of pages —  or maybe it was only a couple of panels — I was hooked.

‘Witch Hunts – A Graphic History of the Burning Times‘ begins with a brief introduction, an overview that sets the direction and tone of the work. There’s a bit of time-jumping in the chronology of this section, but bear with it. ‘Witch Hunts…‘ very soon settles into a detailed chronological telling of ‘The Burning Times’ (roughly 14th to 18th centuries) and beyond to the horrors still perpetrated around the world today.

A couple of things struck me about ‘Witch Hunts…’. Firstly, the obvious knowledge of the authors is there in every word. It was sort of amazing to me, as I read, to see how much history they’d encapsulated within such short bites. To distil all that information down to just a few words shows a real depth and understanding of the subject matter. Also, I felt I learnt more, retained more, and enjoyed it more than I ever have any history text-book. HWA President Rocky Wood and Bram Stoker Award winning author Lisa Morton really have to be congratulated on achieving such a feat.

Secondly, the artwork by Queensland author/illustrator Greg Chapman is spot on for the work. The style is not that of the modern ‘comic’ — all mood, bold blacks filling 80% of a panel — but much more what I remember from those old Illustrated Classics in the library — less chiaroscuro, more detail, more character. Again, as with the authors, the research that must have gone into each and everyone of Chapman’s illustrations is mind boggling. To be honest, I’m no expert on any of this stuff, but every page looks authentic. The clothing, the hairstyles, all the little objects in the background. They mesh perfectly with the narrative, really drawing you into the stories that Wood and Morton are telling.

The overall narrative is one we’re all familiar with through the culture of horror-literature and -cinema: that despicable period of inhumanity that began with the Spanish Inquisition and spread as Witch Hunts and Witch Trials throughout Europe and the New World. But Wood, Morton and Chapman take us beyond that; back to the religious and biblical origins of ‘Witchcraft’ as an evil and as a sin in the introduction, then later beyond the 18th Century. They also delve deeper. They offer up an onslaught of historical events and incidents. Grotesque images by Chapman. Individual things that happened to individual people, and these people had names. Sure, I’d sort of read and seen TV docos on the sort of things that the Catholic Church did in the 15th Century, or what occurred in Salem. But never before has this history been shown to me on such a personal level. As I said, these people had names, and now I know some of them. That has to bring anyone closer to history, doesn’t it? Gets you right in there, and you begin to really understand what these people went through. Isn’t that what learning history is all about?

That’s where ‘Witch Hunts – A Graphic History of the Burning Times‘ really worked for me. It showed me stories of real people. All the horror and the torment they went through and all the madness of the people who’d condemned them. It certainly is graphic — Chapman’s illustrations are often more uncompromisingly gruesome than the text — but it serves to show a truth about our past that we should not shy from. In light of some of the religious and political events happening around the world today, remembering that truth seems, to me, an especially important thing.

Ultimately, ‘Witch Hunts – A Graphic History of the Burning Times‘ is informative in a way few non-fiction works are, and it’s great-looking too! Definitely a worthwhile addition to any horror reader’s or writer’s library.

Written and Illustrated by John Stewart.

28 pages, black and white, colour cover

Cover price: $AUD8.00

Available from Ace Comics and Comic Warriors in Brisbane and Pulp Fiction Comics in Adelaide.

Facebook: https://www.facebook.com/pages/Phatsville-Comix/71645272100

Australian comics have produced some real gems in recent years, like Sherlock Holmes: The Dark Detective, Eek and Changing Ways to name just a few. Created by dedicated artists and writers in lounge rooms and garages across the country, these comics might not have the financial backing of the big comics’ publishers, but the vision and passion of the artists is just as strong.

Phatsville Comix is no exception.

In between reading entries for the Australian Shadows Awards, I managed to read the first issue of a new comic from Phatsville – Giants, written and illustrated by one of the publisher’s founders, John Stewart.

Giants is a really cool concept, sort of Clash of the Titans in a post-apocalyptic Edwardian landscape. The world has become overrun by giants and while many simply hide from them in fear, there are others who choose to hunt them.

I really enjoyed this comic. It had a rich and dark atmosphere. Stewart has a unique drawing style which has just the right balance of light and shadow and his character design has a real Hieronymus Bosch feel to it.

The story was intriguing, with just enough mystery to make you want to read more and there are also some very nicely drawn action scenes and splash pages.

If there is one downside, it’s in the text, but nothing that couldn’t be prevented by some preliminary editing.

Overall this was a fine start to what could be a memorable limited series and it’s great to see Phatsville taking a more mainstream approach to its comics.

Review by Greg Chapman

Publisher: Dark Prints Press

eISBN: 9780987197641

“Vaudeville” by Greg Chapman is an e-novella published by Dark Prints Press. It’s the story of Anthony Moore, whose father committed suicide by hanging himself from a tree and no one really understands why. He was a great guy, loved by all, and the death is a mystery that has rocked the small town of Keaton and left Anthony and his mother broken and at odds with each other. Anthony’s mother drinks the pain away and Anthony is himself lost and friendless, searching for direction. Every day he goes into the woods, to stand and stare at the tree where his father hanged himself, and wonder why. And then, one day, four strange troubadours emerge from the trees, at once fascinating and frightening, and Anthony’s life takes a dramatic turn. “The All-American Travelling Troubadours” have a dark story to perform – all they need is an audience of four young souls.

The scene-setting, character development and story in this novella start well. We’re introduced to a situation that is both familiar enough to identify with and strange enough to keep us wondering what might be going on. Chapman often uses some choice turns of phrase and carries the story well, but for me there are places where the writing falls a bit flatter and has something of a first draft feel about it.

I was carried along well, however, and wanted to know what was behind the strange events. The Troubadours themselves are truly grim characters, quite nasty and well-conceived. As the story played out it was satisfying in places, but there some parts that left me a little confused. The connections between the Troubadours, Anthony’s father and the Civil War sargeant, for example, didn’t come too clear to me.

There are no great suprises in the story. As it unfolds you can see where it’s heading, but for the most part, Chapman does a good job in the telling. I think the whole thing could have used another one or two editorial passes to tighten it all up, trim some of the extraneous parts and smooth out some of the story. The ending was a bit trite and I really wish the story had stopped before the very final line. But of course, as with all reviewing, so much of this is subject to taste.

This is a straight-up horror story with some great supernatural Vaudevillian villains, and worth a look if that concept floats your boat. I’m also very glad to see publishers like Dark Prints Press embracing e-publication to bring us more novella-length fiction, so let’s see more of that, please!

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Corrupts Absolutely?
Editor: Lincoln Crisler
Publisher: Damnation Books
ISBN: 978-1-61572614–1 (eBook)
Published: 13th April, 2012
Words: 83,780

Description:
Corrupts Absolutely? collects twenty brand-new stories from veteran authors and newcomers, each with a unique perspective on what it might really be like to be superhuman in today’s day and age. In the center of such a roiling mass of uncertainty and excitement lies one important truth: the fight against good or evil is never as important as the fight for or against oneself.

Given I was raised on comic book superheroes like Superman, Batman, Spider-Man, the X-Men, The Teen Titans and others, the meta-human fiction anthology Corrupts Absolutely? was always going to have instant appeal for me.

Edited by dark fiction author Lincoln Crisler, Corrupts Absolutely? Sets out to take comic book heroes beyond the confining rectangular borders of comic pages into a prose format and, when taken as a whole, the stories pack as much punch as The Incredible Hulk on a bad day.

Borrowing from some of the more adult comics and graphic novels of the 1980’s, like Watchmen and V for Vendetta, the heroes (and villains) in these 20 tales are as human as the rest of us, with troubled pasts, crises of conscience and revenge on the mind. The theme of the anthology centres on how power can corrupt and each story rides that theme like a speeding bullet into catastrophe (ok enough of the metaphors).

From the very first tale – Tim Marquitz’s “Retribution” about a nuclear-powered man who exacts explosive revenge on a Middle Eastern village on the anniversary of the September 11 attacks – you know immediately that the interpretation of what is a “hero” in this volume, will ride a very thin grey line indeed.

In my view, the strongest tales are in the first half of the book. Bram Stoker Award-winning author Weston Ochse’s piece “Hollywood Villains”, about a young man who can make anyone do anything not only forces you to sympathise with the villain as he psychically torments some of Hollywood’s more unsavoury characters, but makes you feel that his victims deserved it.

Jeff Strand’s “The Origin of Slashy” focuses on the victim of a rape who decides to become a vigilante and kill men with sex on their mind. The matter-of-factness of Strand’s writing adds considerable impact and there’s certainly no hero in sight in his story.

Edward M. Erdelac’s “Conviction” is a fantastic gangsta style tale about a young man trying to distance himself from the wrong people, only to be pulled back in. Erdelac captures the language and character of Abassi exceptionally well and provides imagery that lasts well after the final sentence.

Other standouts included the darkly atmospheric “Mental Man” by William Todd Rose, Joe McKinney’s “Hero”, “Crooked” by Lee Mather, “Acquainted with the Night” by Cat Rambo and “Max and Rose” by Andrew Bourelle. “Gone Rogue” by Wayne Helge, a humorous tale that reminded me of the film Mystery Men was a welcome addition to break up all the angst.

The only downside to the anthology was that there were possibly a few too many stories that reminded me of a certain rich billionaire with a mechanised suit.

All in all, Corrupts Absolutely? was a great escape, providing very interesting pastiches of heroes and villains. Hopefully Mr Crisler might consider putting together a second volume in the not too distant future?

- review by Greg Chapman

OK, full disclosure: I’m only new to reading Cemetery Dance Magazine, having started reading from issue #61, but from that very first issue I was hooked, eagerly awaiting its appearance in my mailbox every few months from the US.

As a reader and writer of horror I have found the magazine and its contents to be essential, with its fiction, non-fiction, reviews and opinion pieces always providing me with insight and inspiration.

Issue 65 is a massive issue, profiling the work of UK horror legend Graham Masterton and including two new stories by him. In total the issue contains 10 new short stories and four interviews and five other features and of course all the usual fare of reviews, news and publishing trends. The issue apparently experienced some delays in production and did take longer than expected to arrive, but it was still – and always will be – worth the wait.

The issue kicks off with the Masterton interview – a fascinating Q&A, which provides an insight into a truly captivating author. He talks candidly about his time as the author of several sex guides, but its Masterton’s comments on how he only recently came to admire his novel The Sleepless that I found the most interesting, because I (and many more of his fans) believe it’s one of the best books he’s ever written.

Masterton’s two new tales provide proof of his skill. Anka is a chilling tale of the real-life horror of child neglect, melding with the Baba Yaga myth. In his typical style, Masterton gives the characters plenty of heart and soul, only to terrify them with equal measures of ghastly imagery and little hope for a happy ending.

Saint Bronach’s Shrift however is reminiscent of a parable, with two brothers settling their differences in an apparent dream state. Masterton takes a little-known story about a saint and his medicinal brew and twists it to meet his own ends.

Matt Williams examines Masterton’s stories in great detail, analysing how the author balances myth and fact in his tales. He also puts forward that the author’s strongest skill lies in his ability to create wholly believable characters. I think CD’s review of Masterton’s vampire novel Descendant, actually proves it’s the author’s ability to reinvent old ideas that is his greatest prowess, but maybe that’s just me.

CD moves away from Masterton briefly to offer us an interview with Michael Koryta – a rising star in mystery fiction. The interview is far too short, but the excerpt from one of his novels, The Cypress House, and his tie-in short story more than makes up for it. The tale, Winter Takes All, gives the reader the opportunity to learn more about the tragic past of The Cypress House’s main character, a seemingly reluctant psychic. I’m now very curious about Koryta’s work.

There’s an interesting interview with Maurice Broaddus – the “Sinister Minister”, but it contains many references to what he’s going to be up to in 2010? All the same, Broaddus’ life outside of his writing, makes for interesting reading.

His story for the issue, Rainfall, is a neo-noir tale that paints a gritty picture of a PI in search of his sister’s killer. When the PI meets a man who offers him the chance to “go back”, there are, of course, dire consequences awaiting him on the other side.

My favourite tale in the issue however is Glen Hirshberg’s After-Words, a mesmerising tale of a world where books are forbidden and how a small band of anarchists seek to restore them to their former glory through evil means. Authors and readers alike will relate to the drug-like effect books can have and Hirshberg explores that well in his story.

J.A. Konrath also has a story, Dear Diary. What starts out as little more than the diary entries of a naive, lovelorn teenage girl, takes a satisfyingly dark turn in the final moments.

The most interesting opinion piece in the issue is Peter Straub’s What About Genre, What About Horror? Straub exposes some hard truths about genre fiction and clarifies a few misnomers about people’s opinion of horror fiction. Straub highlights the work of Michael Connelly in his piece as an author who remains “honest” to his work, but in his enthusiasm (which is most welcome) he inadvertently flits between referring to him as “Connelly” and “Connolly”. We’ll forgive him that though.

The brief Ray Bradbury interview focuses, unfortunately, on his aversion to e-books and technology as a whole. I would have preferred to know what writing he was up to, if any, or what appearances he has been doing, anything other than going over the same old e-book debate.

Another great column to read was Mark Seiber’s reminiscence on the value of libraries to authors as well as readers and how they hold a wealth of great classic fiction – never a truer word spoken Mark. Robert Morrish’s Publishing Spotlight column, among other things, provides an in-depth interview with Bad Moon Books’ owner Roy Robbins. Robbins’ years of experience as a bookseller and calculated publishing choices have helped him gain much success and respect and should serve as a template to emerging small presses. Amongst Morrish’s book picks, he gives out some quite a bit of praise to Aussie author Terry Dowling, particularly highlighting his collection Amberjack.

Another Aussie to be praised is Steve Gerlach. Reviewer T.T Zuma says Gerlach’s novella Within His Reach, could “easily have been the basis for a Twilight Zone script”.

Lisa Tuttle’s story Manskin, Womanskin offers a unique take on human coupling and actually points out the importance of love in a relationship, by putting sex in a supernatural context.

The second to last interview features anthology queen Ellen Datlow; the most fascinating aspect being that despite not having “any interest” in writing fiction, she is still the finest gatherer of horror fiction in the industry – and she despises paranormal romance!

David Bell’s tale, The Book of the Dead is a marvellous blend of morbid curiosity and confronting grief; when a young woman who loses her husband on the same day of John Lennon’s assassination. The prose has a quiet resonance that stays with you well after you’ve read the final words.

Whitley Strieber’s interview reveals a very frank and honest author; frustratingly his answers are all too brief.

In the final story, The Town Suicide, S. Craig Renfroe gives the reader a depressing repertoire of inexplicable suicides in a small town and there’s not a sliver of hope to be seen anywhere, not even after the main protagonist manages to stop his girlfriend from taking her life.

All in all a very enjoyable issue; Cemetery Dance continues to deliver the goods with fresh, memorable horror fiction and with issue #66 (supposedly shipping as of this writing) promising new fiction from the likes of the aforementioned Dowling, Steve Rasnic Tem and Jeremy C. Shipp, my mailman had better watch his back!

Review by Greg Chapman