THIRTEEN O'CLOCK » anthology http://www.thirteenoclock.com.au Australian dark fiction news and reviews Sat, 14 Mar 2015 00:27:15 +0000 en-US hourly 1 http://wordpress.org/?v=4.1.1 Insert Title Here to be launched at Swancon http://www.thirteenoclock.com.au/insert-title-here-to-be-launched-at-swancon/ http://www.thirteenoclock.com.au/insert-title-here-to-be-launched-at-swancon/#comments Sat, 14 Mar 2015 00:24:46 +0000 http://www.thirteenoclock.com.au/?p=1136 Continue reading ]]> FableCroft Publishing‘s intriguingly titled new anthology, Insert Title Here, will be launched at Swancon this coming Easter.

Insert Title Here is an unthemed anthology with a swag of dark stories, including work by Joanne Anderton, Robert Hood, Marienne de Pierres, Dan Rabarts, Sara Larner, Matthew Morrison, Thoraiya Dyer and Daniel Simpson.

The launch is penciled in for 10am on Saturday the 4th of April, but keep an eye on the publisher’s or Swancon’s websites for confirmation closer to the event.

ITH Cover

Swancon is Western Australia’s annual speculative fiction convention “that is invested in all kinds of media. You will find panels and discussion about games, film, literature, and graphic novels. If you are interested in science fiction or fantasy of almost any flavour, we will have something for you.”

Swancon 40 runs from 2-6 April, 2015, in Perth, and this year will be celebrating 40 years.

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Cranky Ladies of History launches March 8 http://www.thirteenoclock.com.au/cranky-ladies-of-history-launches-march-8/ http://www.thirteenoclock.com.au/cranky-ladies-of-history-launches-march-8/#comments Sat, 07 Feb 2015 07:39:35 +0000 http://www.thirteenoclock.com.au/?p=1121 Continue reading ]]> FableCroft Publishing is pleased to announce that Cranky Ladies of History will be launched in Canberra on March the 8th, 2015.

The successful Pozible crowd-funding campaign for Cranky Ladies began on March 1 and ran until March 31, coinciding with Women’s History Month.

The anthology examines or celebrates real cranky* ladies from history, with stories from a diverse range of backgrounds, nationalities, and time periods. The anthology is around 125,000 words in total, with original cover art by Kathleen Jennings.

*The definition of “cranky” is rather broad, and stems somewhat more from a tendency to buck societal standards of the era than a true inherent crankiness.

Table of Contents:

 

Author Provisional Title Cranky Lady A little detail…
Joyce Chng “Charmed Life” Leizu Chinese empress who discovered silk
Amanda Pillar “Neter Nefer” Hatshepsut Egyptian ruler
Barbara Robson “Theodora” Theodora, wife of the Byzantine Emperor, Justinian the first Wife of the Byzantine Emperor, Justinian the first
Lisa Hannett “Hallgerðr Höskuldsdóttir / For So Great a Misdeed” Icelandic woman
Garth Nix “The Company of Women” Lady Godiva Anglo-Saxon noblewoman
Juliet Marillier “Hallowed Ground” Hildegard of Bingen German writer, composer, philosopher, Christian mystic, Benedictine abbess, visionary, and polymath
LM Myles “Little Battles” Eleanor of Aquitaine French queen & mother of dynasty
Foz Meadows “Bright Moon” Khutulun Central Asian warrior
Laura Lam “The lioness and her prey” Jeanne de Clisson French pirate
Liz Barr “Queenside” Mary Tudor (Mary I of England) Queen of England
Deborah Biancotti “Look How Cold My Hands Are” Countess Bathory countess from the renowned Báthory family of nobility in the Kingdom of Hungary. She has been labelled the most prolific female serial killer in history
Dirk Flinthart “The gift of freedom” Grace O’Malley Queen of Umaill, chieftain of the Ó Máille clan sometimes known as “The Sea Queen of Connacht”
Faith Mudge “Glorious” Elizabeth I Queen of England
Havva Murat “The Pasha, the girl and the dagger: The story of Nora of Kelmendi” Nora of Kelmendi Albanian warrior
Kirstyn McDermott “Mary Mary” Mary Wollstonecroft English writer, philosopher, and advocate of women’s rights.
Thoraiya Dyer “Vintana” Queen Ranavalona I of Madagascar, also known as Ranavalona the Cruel Queen of Madagascar
Stephanie Lai “The dragon, the terror, the sea” Cheng Shih Chinese pirate
Jane Yolen SACAGAWEA SACAGAWEA Lemhi Shoshone woman, who accompanied the Lewis and Clark Expedition, acting as an interpreter and guide, in their exploration of the Western United States
Kaaron Warren “Another week in the future” Miss CH Spence Scottish-born Australian author, teacher, journalist, politician and leading suffragist.
Sylvia Kelso “Due care and attention” Lilian Cooper British-born Australian doctor
Sandra McDonald “Cora Crane and The Trouble with Me” Cora Crane American businesswoman, nightclub and bordello owner, writer and journalist.
Nisi Shawl “A Beautiful Stream” Colette French novelist and performer
Liz Argall “Oodgeroo is Not Yet Your Name” Oodgeroo Noonuccal Australian poet, political activist, artist and educator.

See FableCroft Publishing for more details.

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Suspended in Dusk – edited by Simon Dewar http://www.thirteenoclock.com.au/suspended-in-dusk-edited-by-simon-dewar/ http://www.thirteenoclock.com.au/suspended-in-dusk-edited-by-simon-dewar/#comments Tue, 25 Nov 2014 01:26:31 +0000 http://www.thirteenoclock.com.au/?p=1036 Continue reading ]]> Dusk - New CoverSuspended in Dusk
Edited by Simon Dewar

Books of the Dead Press (http://www.booksofthedeadpress.com/)

E-book: ISBN 978-1-3117783-8-3

Suspended in Dusk is the latest anthology from Books of the Dead Press, and the first for Australian editor Simon Dewar. Featuring 19 tales from a mix of new and established authors, and an Introduction from Bram Stoker Award winning Jack Ketchum, Suspended in Dusk hits its mark more often than not.

It’s always nice to have a note or introduction from the editor at the beginning of an anthology; a place where they lay out their thoughts and goals, their targets. Simon Dewar does this quite well. He tells us that the stories are all about change, and the time between those changes, much as dusk is “the time between the light and the dark”. Some of these changes are metaphorical, while others take the theme more literally.

To the stories! I might not mention all of them, only the ones that really stood out for me. This isn’t to say there are any bad stories in the anthology; that certainly is not the case. Any reader of horror will find plenty here to enjoy, and those tales that weren’t quite for me might be exactly what another reader is looking for.

First up is “Shadows of the Lonely Dead” by Alan Baxter. A beautifully written and emotional tale about a hospice worker with a gift for easing the suffering of the elderly as they slip into death, and the greater ramifications that has on her life outside the hospice.

Anna Reith’s “Taming the Stars” takes us to the dark and gritty side of Paris, with a story of a drug deal that goes horribly (and gruesomely) wrong.

“At Dusk They Come” by Armand Rosamilia invites us to a small town at sundown for a well written take on the old tale of ‘doing deals’ with the nefarious.

Rayne Hall brings us “Burning”, a Southern Gothic flavoured tale with a conspicuous absence of the supernatural, but all the more horrifying for it. As in real life, “Burning” shows us that people — especially those isolated by the ignorance of their own world views — are much worse than any monsters we can imagine.

Chris Limb’s “Ministry of Outrage” reveals the truth behind corporate and governmental conspiracies in a tale that is all too scary for its plausibility.

S.G.Larner give us “Shades of Memory”, wherein religion reigns in post-apocalyptic Queensland and the locals of a small town, who want no part of it, have some ghostly superstitions of their own.

“Outside In”, a strange Quantumpunk-Noir by Brett Rex Bruton, is one of the most interesting pieces in the anthology. The story begins: “I swing my feet from beneath the warmth of the covers and down on the cold, hard copy of the opening paragraph.” I stared at that — “hard copy of the opening paragraph” — and wondered if it was some kind of strange typo, an editor comment inserted by accident. But no, it isn’t! It is slips like this, in the walls of reality between story and reader, that really made this story stand out for me. Very original.

“Would To God That We Were There” is the creepy science fiction story I’ve been trying to write for years. I even have 10yr old opening paragraphs that are near identical. I never knew where to take the idea, but it seems that Tom Dullemond did, and he does a wonderful job of it.

The anthology finishes on a high-note too, with Angela Slatter’s “The Way Of All Flesh”. I love a post-apocalyptic story that doesn’t focus on the actual apocalypse, but instead on the people who are trying to get on with their lives. “The Way Of All Flesh” accomplishes this brilliantly, subtly, and in the end, very disturbingly. It’s a fitting end to a collection of so many fine stories.

As I said earlier, I haven’t mentioned every story; only those that really shined for me. A few of the other stories just weren’t too my taste, or I found personally a little predictable. Be that as it may, there isn’t a badly written story here. In every case the prose is well constructed and, in a few stories, quite beautiful.

Overall, Suspended In Dusk is a very good collection. I think there’s something for everyone’s taste — vampires, werewolves, ghosts, zombies and plenty of nefarious humans — and I’m sure others will find things in certain stories that I didn’t. And the mix of authors, old and new, means you’re certain to be introduced to someone you’ve never heard of before: which I think is the most exciting part about reading any horror anthology.

 

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ill at ease 2 now available http://www.thirteenoclock.com.au/ill-at-ease-2-now-available/ http://www.thirteenoclock.com.au/ill-at-ease-2-now-available/#comments Mon, 16 Dec 2013 07:52:53 +0000 http://www.thirteenoclock.com.au/?p=883 Continue reading ]]> Following on from the critical success of “ill at ease” comes volume 2, featuring seven original horror short stories, all of them guaranteed to give you the chills. The anthology is published by PenMan Press and available from  Amazon in both print and digital editions.

Joining the original trio of Stephen Bacon, Mark West and Neil Williams this time are Shaun Hamilton, Robert Mammone, Val Walmsley and Sheri White.

You will descend into an underground train station to uncover a dreadful secret and watch in horror as a paradise holiday turns sour. You will see a bullied boy who’s helped by local history and share the anguish of a father, losing his child in a shopping centre. You will take a trip with a cancer sufferer and share the pain of a couple, desperate for a child. You will discover that history needs to be kept somewhere.

Seven stories, seven writers and you.

Prepare to feel “ill at ease” all over again.

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Fresh Fear out now http://www.thirteenoclock.com.au/fresh-fear-out-now/ http://www.thirteenoclock.com.au/fresh-fear-out-now/#comments Fri, 29 Nov 2013 04:20:04 +0000 http://www.thirteenoclock.com.au/?p=861 Continue reading ]]> Fresh Fear: Contemporary Horror is a collection of horror from some of the genre’s best writers of dark fiction. Edited by New Zealand’s William Cook, the anthology is now available from Amazon.

http://www.amazon.com/Fresh-Fear-Contemporary-Ramsey-Campbell-ebook/dp/B00GMRDRU0/ref=sr_1_1?s=books&ie=UTF8&qid=1384681526&sr=1-1&keywords=fresh+fear

This collection has no central theme other than the stories’ ability to scare the hell out of the reader! Tales steeped in psychological horror sit alongside visions of strange worlds and inner landscapes drenched in blood. ‘Quiet horror’ sits comfortably next to more visceral portrayals of the monsters that lurk deep within the human heart. Sir Arthur Conan Doyle famously once said, “where there is no imagination there is no horror” – the horror expressed by the authors in Fresh Fear show that imagination is indeed tantamount to excellent story-telling. Prepare yourself for 28 tales of terror-inducing fiction that will have you checking the locks on every door and window of your abode!

Table of Contents

Scathe meic Beorh – God of the Wind
Robert Dunbar – High Rise
Ramsey Campbell – Welcomeland
Lily Childs – Strange Tastes
Lincoln Crisler – Nouri and the Beetles
Jack Dann – Camps
Thomas Erb – Spencer Weaver Gets Rebooted
Brandon Ford – Scare Me
Carole Gill – Raised
Lindsey Beth Goddard – The Tooth Collector
JF Gonzalez – Love Hurts
Dane Hatchell – ‘takers
Charlee Jacob – Inside the Buzzword Box
K Trap Jones – Demon Eyed Blind
Tim Jones – Protein
Vada Katherine – Block
Roy C Booth & Axel Kohagen – Just Another Ex
Shane McKenzie – So Much Death
Shaun Meeks – Perfection Through Silence
Adam Millard – The Incongruous Mr Marwick
Christine Morgan – Nails of The Dead
Billie Sue Mosiman – Verboten
Chantal Noordeloos – The Door
Don Noble – Psych
WH Pugmire – Darkness Dancing in Your Eyes
William Todd Rose – The Grave Dancer
EA Irwin – Justice through Twelve Step
Anna Taborska – Out of the Light

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Corrupts Absolutely? edited by Lincoln Crisler – review by Greg Chapman http://www.thirteenoclock.com.au/corrupts-absolutely-edited-by-lincoln-crisler-review-by-greg-chapman/ http://www.thirteenoclock.com.au/corrupts-absolutely-edited-by-lincoln-crisler-review-by-greg-chapman/#comments Wed, 13 Jun 2012 01:33:25 +0000 http://www.thirteenoclock.com.au/?p=435 Continue reading ]]>

Corrupts Absolutely?
Editor:
 Lincoln Crisler
Publisher: Damnation Books
ISBN: 978-1-61572614–1 (eBook)
Published: 13th April, 2012
Words: 83,780

Description:
Corrupts Absolutely? collects twenty brand-new stories from veteran authors and newcomers, each with a unique perspective on what it might really be like to be superhuman in today’s day and age. In the center of such a roiling mass of uncertainty and excitement lies one important truth: the fight against good or evil is never as important as the fight for or against oneself.

Given I was raised on comic book superheroes like Superman, Batman, Spider-Man, the X-Men, The Teen Titans and others, the meta-human fiction anthology Corrupts Absolutely? was always going to have instant appeal for me.

Edited by dark fiction author Lincoln Crisler, Corrupts Absolutely? Sets out to take comic book heroes beyond the confining rectangular borders of comic pages into a prose format and, when taken as a whole, the stories pack as much punch as The Incredible Hulk on a bad day.

Borrowing from some of the more adult comics and graphic novels of the 1980’s, like Watchmen and V for Vendetta, the heroes (and villains) in these 20 tales are as human as the rest of us, with troubled pasts, crises of conscience and revenge on the mind. The theme of the anthology centres on how power can corrupt and each story rides that theme like a speeding bullet into catastrophe (ok enough of the metaphors).

From the very first tale – Tim Marquitz’s “Retribution” about a nuclear-powered man who exacts explosive revenge on a Middle Eastern village on the anniversary of the September 11 attacks – you know immediately that the interpretation of what is a “hero” in this volume, will ride a very thin grey line indeed.

In my view, the strongest tales are in the first half of the book. Bram Stoker Award-winning author Weston Ochse’s piece “Hollywood Villains”, about a young man who can make anyone do anything not only forces you to sympathise with the villain as he psychically torments some of Hollywood’s more unsavoury characters, but makes you feel that his victims deserved it.

Jeff Strand’s “The Origin of Slashy” focuses on the victim of a rape who decides to become a vigilante and kill men with sex on their mind. The matter-of-factness of Strand’s writing adds considerable impact and there’s certainly no hero in sight in his story.

Edward M. Erdelac’s “Conviction” is a fantastic gangsta style tale about a young man trying to distance himself from the wrong people, only to be pulled back in. Erdelac captures the language and character of Abassi exceptionally well and provides imagery that lasts well after the final sentence.

Other standouts included the darkly atmospheric “Mental Man” by William Todd Rose, Joe McKinney’s “Hero”, “Crooked” by Lee Mather, “Acquainted with the Night” by Cat Rambo and “Max and Rose” by Andrew Bourelle. “Gone Rogue” by Wayne Helge, a humorous tale that reminded me of the film Mystery Men was a welcome addition to break up all the angst.

The only downside to the anthology was that there were possibly a few too many stories that reminded me of a certain rich billionaire with a mechanised suit.

All in all, Corrupts Absolutely? was a great escape, providing very interesting pastiches of heroes and villains. Hopefully Mr Crisler might consider putting together a second volume in the not too distant future?

- review by Greg Chapman

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Night Terrors Anthology edited by Karen Henderson – review by Greg Chapman http://www.thirteenoclock.com.au/night-terrors-anthology-edited-by-karen-henderson-review-by-greg-chapman/ http://www.thirteenoclock.com.au/night-terrors-anthology-edited-by-karen-henderson-review-by-greg-chapman/#comments Mon, 30 Apr 2012 00:29:04 +0000 http://www.thirteenoclock.com.au/?p=338 Continue reading ]]> DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Night Terrors Anthology
Editor:
Karen Henderson
Publisher: Kayelle Press
ISBN: 978-0-9808642-8-1 (pbk.) / 978-0-9808642-9-8 (eBook)
Published: 13th April, 2012
Pages: 256

If you’ve never read horror before and are looking for a good place to start, then Kayelle Press’ Night Terrors Anthology might be for you.

The 256-page anthology offers up 17 short tales of horror by authors from across the globe, including three classic stories.

As a whole the anthology delivers on its promise in providing some scares and suspense, but to me some of the tales were a little under-developed.

Perhaps there were a few too many vampire-related stories (three in all), but at least the vampires didn’t sparkle! JC Hemphill’s vamp story A World Not Our Own certainly delivered on mood and atmosphere. Hunting Shadows by Mike Brooks, had a Buffyesque quality to it, but the story’s hook – the introduction of the enigmatic aelfar – is over far too quickly. Maybe Brooks plans on returning to them in a longer format. The third vampire tale, Like Father, like Daughter, also had a lot of promise, but again was too short.

Don’t get me wrong there were a number of stand-out stories: Depths, by CJ Kemp was a very engaging tale about two boys who find an imaginary cave where they can stretch their imaginations. But this “Aladdin’s Cave of Wonders” becomes all the more menacing when one of the boy’s uses its power to rid himself of an abusive stepfather. Kemp gives the boys plenty of depth in the tale.

Hangman by Lisamarie Lamb was a delightfully disturbing twist on the Hangman game. This particular version of the game, however, is a favourite of a band of monsters who live in an attic of her new school. Things take a delicious turn when the little girl realises that if she spells out the name of one of her bullies, they meet a tragic end.

The only werewolf tale, Last Night in Biloxi, by Robert J Mendenhall, is a satisfying story of survival in the tradition of some of the old EC Comics: ignorant jerk intimidates poor old man, only to sufferer the severest of consequences; some of Mendenhall’s passages are truly blood-curdling.

Other stories worth noting were The Lucky Penny by Tim Jeffreys and Product 9 by Lindsey Goddard – the only tale with a sci-fi horror bent.

My pick of the bunch however (and this is solely based on the merit of the story) is the very last tale – Andrew J McKiernan’s White Lines, White Crosses. The story deals with the all-too-present horror of road deaths and the inevitable danger reckless youth can put themselves in behind the wheel.

McKiernan’s horror is more subtle and rooted in the psychological than its predecessors, focussing on the dire consequences of risk and how one tragedy can create an unstoppable domino effect. There is a supernatural element to the story, but if anything it takes a back seat, which IMHO was a good way to round off an anthology that maybe relied a little too much on common horror tropes.

- review by Greg Chapman

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Ticonderoga Year’s Best cover revealed – News http://www.thirteenoclock.com.au/ticonderoga-years-best-cover-revealed-news/ http://www.thirteenoclock.com.au/ticonderoga-years-best-cover-revealed-news/#comments Thu, 15 Mar 2012 00:55:17 +0000 http://www.thirteenoclock.com.au/?p=223 Continue reading ]]> The Year's Best Australian Fantasy & Horror 2011Ticonderoga Publications have revealed the cover for The Year’s Best Australian Fantasy & Horror 2011 in all its glory over at their website.

The collection is now available for pre-order, and the full table of contents will be announced soon by editors Liz Grzyb and Talie Helene.

Click on the image to see a larger version, or go straight to the Ticonderoga article at http://ticonderogapublications.com/index.php/our-books/139-the-years-best-fantasy-a-horror-2011/210-the-years-best-cover-revealed

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Dreaming of Djinn Submission Call – news http://www.thirteenoclock.com.au/dreaming-of-djinn-submission-call-news/ http://www.thirteenoclock.com.au/dreaming-of-djinn-submission-call-news/#comments Thu, 16 Feb 2012 01:09:12 +0000 http://www.thirteenoclock.com.au/?p=73 Continue reading ]]> Ticonderoga Publications have announced submission details for the forthcoming anthology Dreaming of Djinn, to be edited by Liz Grzyb (Scary Kisses, More Scary Kisses, The Year’s Best Australian Fantasy and Horror 2010).

The editor says in the submission guidelines:

Scheherazade’s One Thousand and One Nights stories have captured imaginations for a millennia. Fairy tales and fables abound, telling of the fantastic and mysterious, the comic and dramatic.

This anthology, with the working title Dreaming of Djinn, will look at romantic Orientalism through a speculative fiction lens. You might find lost cities, magical lamps, mummies, thieves, intrepid explorers, slaves, robotic horsemen, noble queens, sorcerers, outcast princes, harems, dancers, djinn, assassins and even smart-talking camels and cats, set in exotic Persia, Egypt, Arabia, the Ottoman Empire, or a modern incarnation of these.

The anthology will be published by Ticonderoga Publications in 2013 and submissions are open between 1st March and 15th October 2012.

Full submission guidelines can be found at: http://ticonderogapublications.com/index.php/guidelines/dreaming-of-djinn

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Bloodstones Submission Call – news http://www.thirteenoclock.com.au/bloodstones-submission-call-news/ http://www.thirteenoclock.com.au/bloodstones-submission-call-news/#comments Thu, 16 Feb 2012 00:56:51 +0000 http://www.thirteenoclock.com.au/?p=69 Continue reading ]]> Submissions are currently open for Ticonderoga Publications‘ forthcoming Bloodstones anthology, edited by Amanda Pillar.

The editor says in the submission call:

This is the first in a series of anthologies from Ticonderoga Publications that will focus on non-traditional horror. I want stories that are horrific, but that also fit within other genres—let’s look beyond the borders. This year’s anthology will focus on non-traditional urban fantasy. This means that I don’t want stories that feature vampires, witches or werewolves; if you send one, it probably won’t make it through to the final cut.

Give me tales of Sirens, Harpies, Bunyips, goblins, djinns, Mesopotamian demons, deposed gods…characters that spill from mythology and into modern suburbia.

Any stories involving cultural borrowing from indigenous cultures should be respectful of the beliefs of the traditional owners.

Romantic elements are acceptable, as long as the story is dark and has horrific themes/elements.

The story must be set on contemporary Earth, but it can take place in a fictional city.

The anthology will be published by Ticonderoga Publications in late 2012.

Full submission guidelines can be found at: http://ticonderogapublications.com/index.php/guidelines/bloodstones

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